Eric Kimmel
Growing up in an ethnically mixed neighborhood in Brooklyn, NY, Eric Kimmel was surrounded by stories from many cultures and time frames. His own grandmother would sit outside in the nice weather and tell stories to the children. This interaction of generations was common on a street where at least 5 languages could be heard at any given time. He experienced stories that wove together the themes of humanity's efforts to explain life and nature, give guidance and instruction to the next generation, and provide warnings of the subtle (and not so subtle) evils that beset people worldwide. The exposure of this "city boy" to a variety of thinking patterns was the fertile ground in which the future author flourished. While he heard stories from a mixture of cultures, Kimmel's grandmother would tell stories with Ukrainian and Austro-Hungarian background. He especially loved and was thrilled by her "tales of terror." His mother read aloud to him (an excellent role model for his future with books) and he considers her his first teacher; but he also remembers the teacher who read Horton Hatches the Egg and "announced that the author was Dr. Seuss." Kimmel remembers an actual "visceral response," -- the realization that if "this Dr. Seuss was an author" then "I could do it too!" While we enjoyed a Mediterranean lunch in a friendly, comfortable restaurant, he regaled me with stories of his childhood "surrounded with books and readers and stories." His demeanor and wonderful ability to "tell a story" (just like his grandmother) entertained and enthralled me. The spark of her stories burned brightly in his eyes as he recounted the path that had led him to become a premier folklorist and author.
It was inevitable that he, too, would pursue a life filled with the words and stories that he had grown-up loving. I was enchanted that he could name so many books that had been early influences. Margaret Wise Brown's The Duck inspired him to try to "type out his own copy on an old typewriter" because he had checked it out from the library so often. Many of the books reinforced his grandmother's tales; Alvin Tresselt conveyed the spooky forests of her stories and gave additional body to her folklore. One of the very clear messages was "it doesn't do to disobey Grandma." Often the essence of the stories was to follow the standards of the community and live an up-right life lest you be snared by the evil lurking behind "every tree." When Kimmel became interested in shadow puppets, his grandmother's reaction was quite strident and emphatic. "NO!" she warned him "Do not mess with Shadows - they are evil." Centuries old themes bubbled up in everything she spoke of in her stories. Kimmel laughed heartily and said that he thought that it was mainly a way to keep control over children. "I was learning her education . . . she was not ignorant even though she did not have a formal education," she had access to a "vast and rich lore." "The truth of the 'old' times is that they were scary and the tales (lore) were not politically correct - they were life lessons."
As Kimmel was progressing through school, she encouraged him to work hard and "be a success." He would say that he wanted to be a doctor to appease "society's standards" but then he failed chemistry and ultimately majored in English because "I did want to be an author." Kimmel told me that at that point he had never met a "real" author "not even in creative writing classes" and mourned the fact that authors were not accorded more respect for their influence on young minds. While he was going to school he was also "trying his hand at writing." He earned a MFA in the Children's Literature Program at Vermont where he met military brat and author Deborah Wiles (later National Book Award finalist for Each Little Bird that Sings) and remembered that she had said "When I retire I'd like to be an admiral." - "funny the things that stick with you" he said. During a visit to Sacramento, he met David Wisniewski, whose Golem had just come out to great acclaim (and later won the Caldecott Award). Kimmel was very impressed with the work Wisniewski had done with folklore and took to heart his saying that stories and writings are "valid even if you do not belong to a particular group." Many people have the opinion that folklore can only be re-told or shared by the ethnic group from which it was generated; but, Kimmel (just as Wisniewski did) feels that the "sharing of story" has its own validity if the traditions and lore are treated with respect and an understanding born of honest research and heartfelt empathy. I could share the sadness with which he told me that he had not been able to actually work with Wisniewski on a book (David Wisniewski died in 2002 at age 49.)
Our discussion returned to the HOW question that arose as soon as Kimmel graduated from college. "Just HOW does one just be a writer?" "Begin" As simple as that; or not so simply at all. Kimmel obtained a copy of Writer's Market and began to make submissions to any and all sorts of publications. His first published poem appeared in "Arizona Highways." He wrote all sorts of stories: "true romance, cowboys, you name it!" After teaching for a while, he was involved in public library work and continued to write. In "1968 or 69 my mother sent me an advertisement from Harper and Row seeking children's authors." He decided to answer the ad and was "surprised and dismayed" that they responded quickly with the request that he "send us some of your writing for children." Well, the truth was that there really was not any of his "writings for children." Now, here is when the sparkle in his eyes really lit up the entire room - I could just see the younger Kimmel as he set about inventing a novel. He sent them "Chapter 8" of a completely non-existent book! While his friends went off to experience a trip to a place called Woodstock (yes, that one), he stayed home and wrote a book. Harper gave him what he now understands to have been excellent criticism. They probably would have worked with him but he decided that they "just didn't want" his writing. Finally Coward McCann "took it and helped" him "whip it into shape." Publishers were willing, at that time, to nurture new writers, to "stake" them as they got started. He realized that real book people "have to have the passion" but after 15 years of writing novels (The Tartar Sword, etc.) he had not had any "big hits" and was discouraged with the writing process.
At this time he was a professor of education at Portland State (having earned his own PhD earlier) and he just quit writing for over six months. "Then I started to ITCH!" His face actually glowed as he then spoke about his realization that it "was about the writing -not the publishing!" He really was driven to be a writer. When Marianne Carus from Cricket magazine asked him to write a holiday story for the December (1985) issue, he sent her a "cut down version" of a story that he had written in 1983. "It was exam time, and I had been thinking about Hanukkah and plotting a little story." He went on to tell me that he had been thinking about the story of Bear's Son and goblins and the character of Herschel - "lots of bits on my mind" and then he got to thinking about Dickens' A Christmas Carol as a good story-a secular Christmas story. "I wanted to tell a good story -- just to tell a good story -- not to teach about Hanukkah traditions." He wanted Herschel to "confound bad guys." Margery Cuyler at Holiday House saw the story, Trina Shart Hyman had already passed it on to John Briggs and they decided to "do this story." As they say, they rest was history. Herschel and the Hanukkah Goblins (illustrated by Trina Hyman who became a personal friend) went on to win a Caldecott honor and the years of "no big hits" were over for good. Kimmel was teamed with Janet Stephens (by Cuyler) and they went on to create a number of wonderful Anansi stories and to win countless awards. For a fellow who "had never met an author or illustrator," he has worked with some of the very best in the world of children's literature, including Glen Rounds, Mordicai Gerstein, Michael Dooling, Charles Mikolaycak, Daniel San Souci, Megan Lloyd, Will Hillenbrand, Leonard Everett Fisher, Giora Carmi, Barbara McClintock, Omar Rayyan, Quentin Blake, David Diaz, Katya Krenina, and YongSheng Xuan to name a few!
Kimmel credits a graduate school storytelling class with the practice of perfecting a story. Telling a story to "real kids" proved to him "that the story is crucial - good intentions do not make up for a weak story. Propaganda is NOT a story. The freight train message will kill even a good story." He spoke with great passion about adults using the "coach model" to help people grow in writing skills and their own personal lives. "The idea is to grow - after a while one needs to perfect skills. The mentor/coach can give guidance and help to improve the basics." His advice to the Young Author's Group in Tucson included a "pep talk" on the fact that an author "has to like what author's do - writing -- and has to like to hang out with books and book people."
The food came and went as Eric and I visited and laughed and talked, the wait staff began their preparations for dinner service and still we visited; delighted to be "sharing stories" about "story." He went on to describe meeting his wife in "my kiddie lit class" in South Bend, IN. and of their travels together. In the next few weeks they were off to China, where he was going to be speaking about "children's literature." He shared his early love of skiing and ruefully told me that "my knees are shot now." Biking has taken over (easier on the knees) and he enjoys long bike rides "I mean like the Bridge Pedal day when we cross all 10 of Portland's bridges." If you've ever been to Portland OR you know that he did not mean just a little jaunt. His exuberance for life spills over into his work and the stories he chooses to share with the world. I suspect that his trip to China will engender several ideas and he did tease me with the bare bones of a novel that would "feature the dark underbelly of fairyland" . . . "with a theme along the lines of: If you stare too long into the abyss - the abyss will stare back at you." He got even more animated as he spoke of an easy going, loving Hansel and a Gretel who had to be hard and determined to survive. Needless to say I was sorry to have the afternoon come to an end, but I gave my thanks and said my good-byes secure in the knowledge that there are still "many more stories to be shared."
Contributor: Sheilah Egan
Reviews
Anansi and the Magic Stick
Eric A. Kimmel
Illustrated by Janet Stevens
Lazy Anansi discovers Hyena's magic stick and makes it clean up his house and yard. But when it keeps watering his garden, he forgets the chant to make it stop. Luckily, Hyena stops the ensuing flood. The other animals end up enjoying the lake that is left, but fear that Anansi is lost. However, the trickster is floating on the other side of the lake, planning new tricks, "what Anansi does best." Stevens uses watercolor, acrylic, crayon and "digital elements" plus her robust vision to produce animals bursting with personality, masters at expressing their feelings. She mixes bits of whimsical vegetation and fancy, like a sun-glass-wearing rhino, into her otherwise naturalistic landscape, then adds the author and herself floating in the flood for her own trick. Although it is loosely based on a Liberian tale, the story is not very "African," being reminiscent of The Sorcerer's Apprentice, as well. 2001, Holiday House, $16.95. Ages 4 to 8. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
In this newest tale of the lazy, yet crafty, spider, Anansi, Kimmel and Stevens combine their talents to show just how lazy AND crafty Anansi can be as he steals Hyena's magic stick and commands it to clean his house and yard and plant and water his garden. As usual, because of his laziness, things do not turn out like Anansi plans. He forgets the magic words to make the stick stop working, causing a flood and the destruction of the homes of his friends, Lion, Zebra and Warthog. Hyena finally finds the stick and commands it to become a stick again. The other animals rebuild their houses on the shores of the new lake and wonder what has happened to Anansi. He is floating lazily along on his new raft on the other side of the lake. Stevens' bold, bright and captivating illustrations engage children, while the repetitive magical chants and word play used by Kimmel assist them in participating in the telling of the story. Children have pleaded, "Tell us the story again, please." 2001, Holiday House, $16.95. Ages 4 to 8. Reviewer: J. B. Petty, Ph.D. (Children's Literature).
ISBN: 0-8234-1443-4
Blackbeard's Last Fight
Eric A. Kimmel
Pictures by Leonard Everett Fisher
Whether they are touring the Atlantic coast or "vacationing" via adventure books, young readers have found few pirates more exciting than Blackbeard. Imagine what it would be like to have been present at the battle that brought that nefarious pirate to his end? Kimmel has done just that in this tale of the fictitious but historically accurate character of Jeremy Hobbs, a cabin boy on Lieutenant Maynard's HMS Pearl. When Virginia's Governor Spotswood illegally sends a crew and ship after Blackbeard, Jeremy is among the first to sign on. He is fascinated by the colorful but deadly pirate who has held the port of Charleston, kept South Carolina's citizens hostage, plundered countless ships, and is now rumored to be settling on Ocracoke Island, off North Carolina. While Lieutenant Maynard has manpower and a plan of attack, Blackbeard has his knowledge of the North Carolina waters and a loyal crew. Jeremy resolves to be brave on the eve of the battle, but he cannot help but wonder: is Blackbeard as fearsome as he is said to be? What will happen if he encounters him face to face? Kimmel has written a well-researched adventure story complimented by Fisher's fine, vivid illustrations. The true ending is a bit gruesome, so hand it to a mature middle reader. By all means, do not miss the author's note. 2006, Farrar Straus and Giroux, $17.00. Ages 9 to 12. Reviewer: Judy Crowder (Children's Literature).
ISBN: 978-0-374-30780-6
ISBN: 0-374-30780-6
Brother Wolf, Sister Sparrow: Stories about Saints and Animals
Eric A. Kimmel
Illustrated by John Winch
The extraordinary lives of 12 saints are vividly painted with text and brush in this compelling book. Because saints were often persecuted for their beliefs and actions, the stories here loom large and may not be suitable for those children prone to nightmares. Guided by God's hand, all of these saints eventually came to know and love their Lord. Some were born blessed, and some acted wickedly before repenting their sins. The entries provide insight into the motivations of these courageous historical figures. The subjects were chosen because of their unique connection to an animal or animals in their lives. The stories are each, in turn, thought provoking. They begin with the saint's name, country of birth, century lived in, and a picture of the animal that serves as his or her emblem. A full-page, close-up illustration in color features the saint and his or her special creature in each story. Children may choose to read this book in one setting or dwell on one entry a time. 2003, Holiday House, $18.95. Ages 5 up. Reviewer: Jeanne K. Pettenati, J.D. (Children's Literature).
Best Books:
Best Children's Books of the Year, 2004; Bank Street College of Education; United States
ISBN: 0-8234-1724-7
Cactus Soup
Eric A. Kimmel
Pictures by Phil Huling
As a Mexican variation on the old "stone soup" motif, this one works on two levels. Kimmel's smooth retelling incorporates Spanish words and names of foods without getting in the way of the story or grafting on extraneous matter, as did Jon J. Muth's recent retelling (2003). Secondly, Huling's stylish paint and ink illustrations depict the populace with pleasing angularity and elongation, the mayor and clergy as richly plump, and the roving bandeleros and their horses as lean dandies. As the sated soldiers ride away after the fiesta, the townspeople of San Miguel gather in farewell, hoping for the next huge feast when they can again make such wonderful soup from, think of it, a cactus thorn! Add this to the shelf of such well-executed southwestern versions of folktales, as Kimmel's The Runaway Tortilla, Susan Lowell's The Three Javelinas, and Tony Johnston's New Mexican version of "Baba Yaga," Alice Nizzy-Nazzy. 2004, Marshall Cavendish, $16.95. Ages 5 to 9. Reviewer: Susan Hepler, Ph.D. (Children's Literature).
Best Books:
Booklist Book Review Stars, Sep. 15, 2004; United States
ISBN: 0-7614-5155-2
The Castle of the Cats
Eric A. Kimmel
Illustrated by Katya Krenina
As always, Kimmel demonstrates his storytelling genius this time in a book matching three brothers against each other in an effort to win the farm. In this type of folktale, the youngest brother is often portrayed as a simpleton with his own take on life. Throughout the course of the tale, the brothers are all presented with these three tasks: Find the prettiest wedding scarf, the prettiest wedding dress, and the prettiest bride. Ivan, the simple brother, travels to the Castle of Cats for all three challenges. He proves successful in his attempts and the reader discovers that what you see is not always what is there. Lively, yet soothing language describes the brother's ventures into the world. The text calls for one re-read after another. Illustrations play in harmony with the text. They are wispy, frothy, and eye-catching. Something new in the illustrations can be discovered with every reading. Teachers, librarians, and parents can't go wrong when this book is read to aloud or placed upon the shelf for children to enjoy. The original tale is from Latvia. Kimmel and Krenina, however, choose to set it in Ukraine. 2004, Holiday House, $16.95. Ages 4 to 8. Reviewer: Nancy Garhan Attebury (Children's Literature).
ISBN: 0-8234-1565-1
A Cloak for the Moon
Eric A. Kimmel
Illustrated by Katya Krenina
In this mystical tale, Haskel the tailor dreams that the shivering moon asks him to make her a cloak. His uncle, a master tailor, tells him it is impossible, but he hears of a garment in a distant land, woven with beams of light, that could wax and wane with his beloved moon. He travels far to find this magic garment, then figures out how to spin the thread to mend a gown for a princess's wedding. His reward is a bit of the thread from which he can spin, weave and sew a cloak for the moon. In a fitting conclusion, he climbs a ladder of moonbeams to deliver it, and "there he can be seen to this day..." With gouache, Krenina creates a world of long ago, with abstract forms for houses, suggestions of hilly landscapes, sculpturesque figures and occasional, delicately decorative illuminations derived from old manuscripts. The visual tale is told with a variety of page designs held together by a palette of saturated colors on cream-colored pages. There is a brief source note. 2001, Holiday House, $16.95. Ages 4 to 8. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
Best Books:
The Best Children's Books of the Year, 2002; Bank Street College of Education; United States
ISBN: 0-8234-1493-0
Don Quixote and the Windmills
Retold and Adapted by Eric A. Kimmel
From The ingenious hidalgo Don Quixote de la Mancha by Miguel de Cervantes Saavedra
Pictures by Leonard Everett Fisher
What a perfect story for children too young to read the huge original novel by Cervantes! Here is a man who does just what youngsters would love to do--climb on a horse with armor and sword and fly around on a windmill. There are opportunities to generate a discussion about dreams (realistic and otherwise) and talk about Sancho's gentle efforts to bring some reality to Don Quixote's world even as he participates in the crazy adventures. The story is simply told and is perfect for reading aloud. The illustrations do not generate the same enthusiasm as the story although they are large and colorful, easily seen by a reading group. There is a sameness to the villagers' expressions and the large, opening picture of Don Quixote is actually more frightening than woeful as the text suggests. We rarely see Sancho's face, even though he is one of the most sympathetic characters in the story. The story remains as powerful as it was four hundred years ago, however, and there is even an author's note explaining Don Quixote as the source of our modern-day expression "tilting at windmills." 2004, Farrar Straus Giroux, $16.00. Ages 5 to 10. Reviewer: Karen Leggett (Children's Literature).
Best Books:
Best Children's Books of the Year, 2004; Bank Street College of Education; United States
Children's Catalog, Eighteenth Edition, Supplement, 2005; H. W. Wilson; United States
Choices, 2005; Cooperative Children's Book Center
Notable Social Studies Trade Books for Young People, 2005; National Council for the Social Studies; United States
Awards, Honors, Prizes:
Parent's Choice Award Recommended 2004 Picture Books United States
ISBN: 0-374-31825-5
The Erie Canal Pirates
Eric Kimmel
Illustrated by Andrew Glass
This tall tale should begin with the Author's Note, which is on the last page. Kimmel explains that this twist on the lyrics of the Erie Canal folk song occurred to him while doing a school visit. He decided that pirates on the Erie Canal would have made larger-than-life heroes of canal boatmen and their donkey. To escape the pirates the canal boatmen made a detour that took them up, yes up, Niagara Falls. The captain steered the canal boat by the set of Frank's (the donkey) ears and all were saved--except, of course, the pirates who ended up as ghosts. Kimmel and Glass have paired before to create humorous retellings of familiar tales. The watercolor paintings add their own energy and light-heartedness that match the voice of the tale. 2002, Holiday House, $16.95. Ages 5 to 9. Reviewer: Carol J. Wolfenbarger, Ph.D. (Children's Literature).
ISBN: 0-8234-1657-7
The Frog Princess: A Tlingit Legend from Alaska
Retold by Eric A. Kimmel
Illustrated by Rosanne Litzinger
The beautiful daughter of the Tlingit village headman scorns all the suitors for her hand, claiming that she would rather marry a frog. A strange young man who turns out to be from the Frog People takes her at her word, bringing her to his people at the bottom of the lake to marry her. Her mourning parents keep searching for her, finally demanding that the frog chief give her back. When she returns she is unhappy, asks to go back to the lake, and one day disappears. Years later, a frog tells a traveler that when he reaches a certain village he should report to the headman that his daughter is well and happy with her husband and children. Litzinger's highly stylized opaque and transparent watercolors depict both people and frogs in mostly double-page settings that are mystical, with little or no suggestion of the American Northwest. Clothing and several masks do relate to the Tlingit style, while the women's long, straight, black hair is decorative and culturally suggestive. The popping bulls' eyes of the frogs are focal points. Page layouts are particularly strong in design, contributing to the emotional content. This story lends itself to comparisons and contrasts with many related folk tales. The author adds a note about the background of the story, while the artist discusses the symbolism of frogs and water, and her use of color. 2006, Holiday House, $16.95. Ages 4 to 8. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
As mentioned in the author and artist's notes, for the Tlingit people of Alaska frogs signify abundance and the process of metamorphosis. This explains much about this northern version of the tale. A headman's daughter spurns her earthly suitors to fall in love with the prince of the Frog People. Willingly following him down into his watery realm, she becomes transformed into a kind of halfling frog/human. Her distraught father summons her from the depths, but it becomes obvious her heart still lies with the Frog People. Returning to her new family, she leaves as testimony Tlingit-croaking frogs. Kimmel's retelling of the story is respectful, and Litzinger's watercolors create cool green and blue worlds--the forested mountains of the Northwest and the submerged frog domain with its wide-eyed denizens of fish and frog. Use this story with the Grimm Brothers' "The Frog Prince" to compare cultures with young readers and listeners. 2006, Holiday House, $16.95. Ages 4 to 8. Reviewer: Kathleen Karr (Children's Literature).
ISBN: 0-8234-1618-6
Gershon's Monster: A Story for the Jewish New Year
Retold by Eric A. Kimmel
Illustrated by Jon J Muth
Gershon and his wife live on the shores of the Black Sea "many years ago" in this retelling of a very old Hasidic legend. Gershon has made mistakes in his life, but never regretted or apologized. He has simply swept the bad deeds into the cellar. Once a year, on Rosh Hashanah, he bags them and tosses them into the sea. But "there is always a price to pay." When Gershon and his wife finally have the twin children they have wanted for so long, he is warned that he will lose them because of his thoughtlessness. A monster from the sea threatens the children, so Gershon offers himself instead, finally sorry for his wickedness. Spared, he leads a better life in the future. The author's note explains the relationship of the story to the Jewish New Year theme of repentance. Muth's jacket/cover sets up the ethical struggle. A properly bearded Gershon, all in black, drags a huge sack down a deserted beach, a bag crawling with cavorting little black demons. Full page, naturalistic watercolors depict Gershon's activities and moods as he goes about his selfish business. As the children play on the beach, the frightening waterborne monster is effectively thrust into our faces before we reach the compassionate blue sky of the end. 2000, Scholastic Press, $16.95. Ages 4 to 8. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
Best Books:
The Best Children's Books of the Year, 2001; Bank Street College of Education; United States
Bulletin Blue Ribbons, 2000; Bulletin of the Center for Children's Books; United States
Capitol Choices, 2000; The Capitol Choices Committee; United States
Children's Catalog, Eighteenth Edition, 2001; H.W. Wilson; United States
Kirkus Book Review Stars, October 1, 2000; United States
Notable Books for Children, 2001; American Library Association-ALSC; United States
Notable Children's Books in the Language Arts, 2001; National Council of Teachers of English; United States
Notable Social Studies Trade Books for Young People, 2001; National Council for the Social Studies NCSS; United States
Awards, Honors, Prizes:
Sydney Taylor Book Awards Winner 2000 Younger Readers United States
ISBN: 0-439-10839-X
Grizz!
Eric A. Kimmel
Illustrated by Andrew Glass
In this humorous Old West version of the traditional bargain with the Devil, the love between cowboy Lucky Doolin and Shelby is thwarted by her father's "Clear out!" On the train from Oregon to Denver, Lucky is persuaded by a stranger to bet his soul for the cash to win Shelby. In return for seven years of luck, he must promise not to wash, shave, or cut his nails or hair. The luck and the money do roll in. But finally even Lucky himself can't stand the dirt and the smell of what he has become. Before drowning himself, he returns to see Shelby once more. True love and the time zones help Lucky triumph over the stranger and the wicked lawyer Jones. Glass uses oil sticks and watercolor pencils scraped onto the paper with plastic knives to reinforce the folktale quality of the telling. His lively characters are almost caricatures, with Shelby's innocence, her father's greed, Jones's meanness as he twirls his mustache, and of course the wonderfully horrid, hairy thing with the two-foot fingernails, who cleans up to be Lucky again. 2000, Holiday House, $16.95. Ages 4 to 9. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
Folktale fanatics know that Eric Kimmel has proven himself to be among the best of today's tale spinners. He has the talent to retell old stories from a multitude of cultures as well as the creativity to spin some of his own. Here, Kimmel pulls from several sources to entertain young readers with a cowboy version of the classic plot of a man who makes a deal with the devil. Lucky is an Oregon cowboy who sells his soul over a lost love, but eventually wins back both. The illustrations capture each character's true spirit--both the sincere and the underhanded. At the climax of the story, Lucky (who is now "Grizz"), reappears in his hometown after seven years without baths, haircuts, or personal care of any kind. Andrew Glass manages to capture Lucky's wild appearance while still endearing him to the reader. This is a delightful tale to read aloud, especially when honoring Kimmel's cowboy talk. 2000, Holiday House, $16.95. Ages 6 to 10. Reviewer: Carol E. Lynch (Children's Literature).
Best Books:
The Best Children's Books of the Year, 2001; Bank Street College of Education; United States
Children's Catalog, Eighteenth Edition, 2001; H.W. Wilson; United States
ISBN: 0-8234-1469-8
The Hero Beowulf
Retold and adapted by Eric Kimmel from the epic poem Beowulf
Pictures by Leonard Everett Fisher
The epic poem Beowulf is one of the oldest surviving examples of early English literature having been written in the eighth century. It is thought to be taken from an even older fairy tale of good and evil told by early inhabitants of the English Isles. This simplified version for young readers, relates the basic story of the brave Beowulf's attempt to rid the Danish countryside of the evil monster Grendel. Bold, colorful illustrations personify the power of the struggle as Beowulf confronts Grendel and conquers him in honor of King Hrothgar and Queen Wealhtheow. Phonetic spellings of the early Anglo Saxon names would have added to this introduction of English literature for young readers. A brief explanation of the poem and resources for further study are included. 2005, Shearwater Books, $16.00. Ages 8 to 10. Reviewer: Meredith Kiger, Ph.D. (Children's Literature).
Best Books:
Best Children's Books of the Year, 2005; Bank Street College of Education; United States
ISBN: 0-374-30671-0
A Horn for Louis
Eric Kimmel
Born into a poor family in New Orleans at the turn of the century, Louis Armstrong's talent was apparently innate and only became better when he received his first cornet. A Horn for Louis is, in part, a fictional retelling of how Armstrong received his first horn from a Jewish family that he worked for. Kimmel admits in a note at the end of the text that the story is largely fictional and that little or nor credence should be given to the recounting. And yet Armstrong's rise to glory and his tremendous talent with horns cannot be denied. This is still a wonderful tale of perseverance and never giving up on your dreams--no matter your age. Seven-year-old Louis desperately wants a horn but is also proud and does not accept charity, even for something that he has wanted all his life. His pride makes it difficult to accept the old horn that is bought for him by his employers, but when a deal is struck that allows Louis to keep the horn and to pay off the debt in a fashion he can afford, Louis happily accepts and even plays his way home later that night. Short chapters make this story easy to read for beginning readers and black-and-white sketches break up longer sections with scenes from the day when Louis received his first horn. 2005, Random House, $11.95. Ages 5 to 10. Reviewer: Danielle Williams (Children's Literature).
ISBN: 0-375-83252-1
ISBN: 0-375-93252-6
The Jar of Fools: Eight Hanukkah Stories from Chelm
Eric A. Kimmel
Illustrated by Mordicai Gerstein
Is there anyone who doesn't know about the mythical town of Chelm? About its inhabitants who, so goes the legend, have more than their share of fools--some say...of wise men? Perhaps it's really true that "the angel carrying the jar of fools dropped his jar--splat!--right on Chelm." Judge for yourself, after you ponder these light-hearted tales, one for each night of Hanukkah, although some are not about the holiday at all. Of course there is the hay fork--or is it now a menorah because it holds candles on its tines?; and Silent Samson the Maccabee, the speechless and fearless villager who bested the hated and feared Chmielnitski the Cossack by saying not one word; and the letterless dreidel (spinning top with Hebrew letters on its four sides), which is the only game in town in Chelm. Some of the stories may be familiar, recycled with a holiday spin, but several are originals which, author Kimmel declares, are a challenge to write, requiring "think(ing) like a Chelmer." Judge for yourself. And don't overlook the intricate and hilarious pictures sprinkled throughout the book--they are treasures. 2000, Holiday House, $18.95. Ages 5 up. Reviewer: Judy Chernak (Children's Literature).
Kimmel has gathered and/or written eight delightfully humorous stories set in Chelm, the legendary Jewish town of fools. Two of the tales are Yiddish in origin; three have been adapted from other cultural groups, and two are original Kimmel stories. The stories are short, catchy, and are great read-alouds. Each could easily be mastered for telling, as well. Droll humor abounds in the names and the escapades of the characters. Gerstein's ink drawings on oil-paper are full of detail and portray Kimmel's characters quite well. The simple ink borders that he uses on each page of the book frame both the text and the illustrations nicely. This book would be a good choice for any type library, for storytellers, or for parents to share with their children. 2000, Holiday House, $18.95. Ages 6 to 10. Reviewer: J. B. Petty, Ph.D. (Children's Literature).
Best Books:
Best of the Bunch, 2000; Association of Jewish Librarians; United States
Children's Catalog, Eighteenth Edition, 2001; H.W. Wilson; United States
Kaleidoscope, A Multicultural Booklist for Grades K-8, Fourth Edition, 2003; National Council of Teachers of English; United States
Middle and Junior High School Library Catalog, Ninth Edition, 2005; H.W. Wilson; United States
Middle And Junior High School Library Catalog, Supplement to the Eighth Edition, 2001; H.W. Wilson; United States
School Library Journal Book Review Stars, October 2000; Cahners; United States
ISBN: 0-8234-1463-9
The Lady in the Blue Cloak: Legends from the Texas Missions
Retold by Eric A. Kimmel
Illustrated by Susan Guevara
The six short stories in this collection retell legends from the late seventeenth and early eighteenth centuries, when Spanish missionaries established early Christian churches in Texas, over the objections and attacks of the indigenous peoples. A brief introduction explains the conflicting nature of these encounters, but the stories avoid controversy and seem at times to be as whitewashed as some of the old missions. Each story opens with a soft, lush, full-page oil painting reverentially depicting the story's main subject. The titular story describes a woman in a blue cloak who comes to visit the Tejas Indians and foretells the arrival of the missionaries and all the good things they will provide. The woman's identity is a mystery, but the story tells of a nun who had visions, kept a journal describing people whom she had never met but who sounded like the Tejas Indians, and wore a blue cloak. This mystical tone (in the fashion of religious ghost stories and with a touch of O. Henry irony) continues throughout the other stories. This picture book for older readers may tie into some classroom discussions of this time period but probably should not be used as a strict historical reference. It will likely be most interesting to students in Texan and Catholic schools, for whom the material will be more personal. 2006, Holiday House, $16.95. Ages 9 to 12. Reviewer: Ginjer L. Clarke (Children's Literature).
ISBN: 0-8234-1738-7
Pumpkinhead
Eric A. Kimmel
Illustrated by Steve Haskamp
Pumpkinhead lives in Pumpkintown where everyone looks quite the same. They all have pumpkin heads. Although some heads are small, some are fat, some green, some orange, everyone has a pumpkin head. One day, young Pumpkinhead raises a serious question. "Does everyone in the world have a pumpkin head?" Determined to find the answer, he sets off on an adventure. Filled with anticipation and excitement, Pumpkinhead leaves the known for the unknown. However, along the way, he stops for a rest and two wily squirrels play a trick on him. When Pumpkinhead awakes, he sets off again without realizing that he is heading back in the direction he has come. He returns to his own hometown, thinking he has discovered a new place and marvels at the similarities. When he leaves, the two squirrels play their trick again, and Pumpkinhead retraces his route once more to return home. Thus, his adventure ends in the declaration that "everybody in the world is just like us." Bright colorful illustrations add humor and fun to this modern-day trickster tale that is sure to tickle children's funny bones. However, without a careful reading, this story may lead to the misconception that sameness is ideal. Used in an upper elementary classroom, this picture book would be an excellent diving board for discussion on diversity and appreciating our differences. 2001, Winslow Press, $15.95. Ages 5 to 9. Reviewer: Leah Hanson (Children's Literature).
ISBN: 1890817333
Rip Van Winkle's Return
Eric A. Kimmel
Pictures by Leonard Everett Fisher
Using language and vocabulary with just enough antiquated quality to transport readers/listeners to "long, long ago," Kimmel recreates the tale of Rip Van Winkle originally appearing in Washington Irving's The Sketch Book in 1819. As mentioned in the "Author's Note," Kimmel has given us an explanation for Dame Van Winkle's unpleasant disposition (frustrated by his idleness she becomes shrewish and drives Rip to flee to the mountains) and allows Rip to redeem himself for a life of idleness. Rip says that he has indeed "slept his life away." Not just the last twenty years, but all of his life was without purpose. Upon seeing his idle son, Rip is inspired to help young Rip develop into a better person: "Come! Rip. You and I have work to do." While relating all the usual details of the story of the fellow who met some strange men in the mountains and fell asleep for twenty years, Kimmel deftly works in information about history (the men at the tavern discuss King George's tax on tea and later we see George Washington's picture has replaced the King's on the signage), culture of the times (clothing and occupational pursuits), and documents the changes over the lapsed years. The Dutch explorer Hendrick Hudson and the crew of the Half Moon are credited with being the ghosts who visit the Catskills (spelled with the older version in the story: Kaatskill) every twenty years to "play their game of nine pins." Even today people say that the sound of thunder is really just the sound of the bowling of the ghostly crew of early settlers. Fisher's illustrations also have an "out of time" quality that supports the strangeness of the story itself. I particularly enjoyed the details that echoed the text (". . . a distant crow flying across the mountain" is actually seen in the picture), but was most impressed that the illustrations expanded the story with greater understanding (the nine pins are drawn to look like a primitive version of today's bowling pins). The text does not stint on vocabulary and is more dense than in some picture books; both factors make this an excellent read aloud for primary grades and still make it useful for middle grade readers to handle on their own. This collaboration will be an asset to any library collection and will serve well any teacher introducing US colonial history, especially New York's history in particular. 2007, Shearwater Books/Farrar, Straus and Giroux, Ages 5 to 12, $17.00. Reviewer: Sheilah Egan
ISBN: 978-0-374-36308-6
ISBN: 0-374-36308-0
Robin Hook, Pirate Hunter!
Eric A. Kimmel
Illustrated by Michael Dooling
In an unbelievable swashbuckling tale of child pirates, Kimmel lives out his own childhood dream to be a pirate. With a twist of old tales, Kimmel borrows the name Robin from British mythology and the name Hook from J. M. Barrie's Peter Pan to create his protagonist, Robin Hook. Robin, raised to be a pirate, wants only to spare the world from pirate thieves. After being abandoned, he finds other children on the island and with them builds a ship and begins his efforts to control the hated pirates. Ever successful, the children become celebrated heroes who are feared by "real" pirates. Although a far-fetched tale to adults, the imagination of children, especially boys, will be sparked with this story. Dooling's oil on canvas art, including the map of Hispaniola, adds much to the tale. His use of light, dark and motion is quite good. For fans of Eric Kimmel, this original tale is one that will be enjoyed along with his retellings of old tales. 2001, Scholastic Press, $15.95. Ages 7 to 10. Reviewer: J. B. Petty, Ph.D. (Children's Literature).
ISBN: 0-590-68199-0
The Runaway Tortilla
Eric A. Kimmel
Illustrated by Randy Cecil
Tia Lupe and Tio Jose make the lightest and best tortillas in all of Texas. The cowboys who visit their restaurant warn them, "you better not make these tortillas any lighter. Some day they'll up and run away." And that is exactly what one wily tortilla did. Inspired by the classic tale of the Gingerbread Man, Kimmel creates a rollicking tale of hot pursuit--"And away she rolled, with six buckaroos galloping, five rattlesnakes slithering, four jackrabbits leaping, three donkeys trotting, two horned toads scampering...until she looses them all." Feeling confident and superior, the tortilla finally meets her match in Senor Coyote. Children will delight and join in chanting the repetitive phrases. The simple, two-dimensional paintings are as much fun as the text. 2000, Winslow Press, $16.95. Ages 4 to 8. Reviewer: Laura Hummel (Children's Literature).
Kimmel's Hispanic version of The Gingerbread Man is a disappointment after his successful earlier version of the folktale. In south Texas near the Rio Grande, a customer in Tia Lupe and Tio José's restaurant suggests that their tortillas are so light that one might just "up and run away." Thus begins the tale. The tortilla rolls past Tia Lupe, Tio José, three donkeys, two horned toads, four jackrabbits, five rattlesnakes, and six bold buckaroos. At last everyone stops and returns to what they were doing. The tortilla rolls until it meets Señor Coyote at the edge of a river and becomes his dinner. The rhythmic refrain isn't as lyrical as the original, and the reference to an abandoned, wrecked car and old tire is not appropriate. Kimmel uses several Spanish words in the text, yet provides no glossary or pronunciation guide. Cecil's flat, oil paint, two-dimensional illustrations attempt to portray the arid landscape of south Texas, yet they are not engaging. Children could be disturbed by the angry expression on the face of the tortilla. What could have been a good variant of other versions of The Gingerbread Man, is not. 2000, Winslow Press, $16.95. Ages 5 to 8. Reviewer: J. B. Petty, Ph.D. (Children's Literature).
Best Books:
Adventuring with Books: A Booklist for Pre-K-Grade 6 13th Edition, 2002; National Council of Teachers of English; United States
The Best Children's Books of the Year, 2001; Bank Street College of Education; United States
Children's Catalog, Eighteenth Edition, Supplement, 2002; H.W. Wilson; United States
State and Provincial Reading Lists:
Kentucky Bluegrass Award, 2001-2002; Nominee; Grades K-3; Kentucky
Texas Reading Club, 2002; Texas
ISBN: 189081718X
Three Samurai Cats: A Story from Japan
Retold by Eric A. Kimmel
Illustrated by Mordicai Gerstein
The villain here is a savage rat, who takes over the castle of a daimyo, or lord in old Japan. The desperate lord seeks help from the docho, or senior monk, of a shrine famous for its samurai cats. The first cat to arrive is humiliated by the rat. The second samurai sent by the monk seems larger and more experienced, but the rat sends him flying. Finally the monk sends Neko Roshi, "the greatest living master of the martial arts." But when he arrives, he seems elderly and uninterested in fighting. How he finally defeats the rat offers a lesson in the Zen art of drawing strength from stillness rather than force. The visual narrative begins on the half-title page, where the cats are busy in the foreground as the rat makes his way to the castle in the back. Gerstein gives us a close-up on the title page as the evil rat is about to enter. His initial conquest is then depicted in action in a series of boxes. Colored pen and ink drawings using translucent oil paint on vellum suggest some Japanese historic scroll paintings. These delicious illustrations are filled with action, animal/human characters, and humor. The author adds a note on background, history, and source. Check out the cover under the jacket. 2003, Holiday House, $16.95. Ages 4 to 8. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
A huge rat has taken over the castle of a powerful daimyo. The rat laughs at traps, ignores poison, and attacks the guard dogs. The desperate daimyo rides his horse to the monastery to ask the docho for help. The docho agrees to send a samurai cat. The rat quickly outwits him and the humiliated cat leaves. Another, bigger cat is then sent. He is also defeated. Upon hearing the third request for help, the docho says he will send Neko Roshi. The diamyo cannot believe that this ragged, old decrepit cat was sent to save him. Neko Roshi lies about on a mat eating and resting, as the rat becomes bolder and meaner. When the court is preparing rice balls for the Obon Festival, the greedy rat takes all of the balls from the tray and forms them into one large rice ball, which he then proceeds to roll away. As he is passing Neko Roshi, he becomes stuck under the huge mass of rice and cannot move. Neko Roshi agrees to help him only if he will leave the castle. The rat agrees and leaves. This story reflects Buddhist traditions of stillness, meditation, and harmony with nature. The rat defeats himself. Delightful, action-filled illustrations feature the daimyo and his court as dogs. The docho and the monks are also canines. A good source for inspiring thoughtful discussions about different ways to solve problems. 2003, Holiday House, $16.95. Ages 5 to 10. Reviewer: Phyllis Kennemer, Ph.D. (Children's Literature).
Best Books:
Best Children's Books of the Year, 2004; Bank Street College of Education; United States
The Children's Literature Choice List, 2004; Children's Literature; United States
Awards, Honors, Prizes:
Great Lakes Great Book Award Honor Book 2005 Grades 2-3 Michigan
State and Provincial Reading Lists:
Black-Eyed Susan Book Award, 2004-2005; Nominee; Picture Books; Maryland
Delaware Diamonds, 2003-2004; Nominee; Grades 3-5; Delaware
Great Lakes Great Book Award, 2005; Nominee; Grades 2-3; Michigan
ISBN: 0-8234-1742-5
Tuning Up: A Visit With Eric Kimmel
Eric A. Kimmel
As part of the "Meet the Author" series, this autobiography lets readers see beyond the role of "author." Unlike a typical bibliography, this reads more like a letter to a friend rather than a fact-book about the author. For example, when Kimmel begins to explain his process for writing books, the text acts as though the reader was in Kimmel's home and going on a tour: "Let's go down to the basement. I'll show you where I work." Then Kimmel precedes to show what objects inspired him while writing books such as Anansi and the Talking Melon or Brother Wolf, Sister Sparrow. There are many pictures that accompany the text. For example, in the beginning of the book Kimmel tells about some of his family history and there are photographs of family members or objects that are important to the author's story. Closing with "your friend, Eric Kimmel," fans of the author will be sure to enjoy this glimpse into Kimmel's life. 2005, Richard C. Owen Publishers, $14.95. Ages 8 to 12. Reviewer: Joella Peterson (Children's Literature).
ISBN: 978-157274-822-4
ISBN: 1-57274-822-2
Website of the Cracked Cookies
Eric A. Kimmel
Illustrated by Jeff Shelly
Frantic MTV pacing and the jaundiced perspective on American culture found on The Simpsons mark this sly sendup of computer games, television, rock music, commercials, rap, female wrestling, and a dozen other aspects of life familiar and dear to American kids. Kimmel is the author of more than 50 books for children, so he knows how to construct a fast-paced story that will hold a middle-grader's attention. The plot is far too convoluted to summarize, but it basically concerns Jessica and Matt, two computer-game addicts, and their discovery of a far-ranging plot by the evil Granny Goose to take over the media and force-feed Americans a diet of vulgar talk shows, violent wrestling competitions and smutty music videos. Kimmel's feat is that he delivers this moralistic lecture with so much humor and panache that the reader won't squirm with impatience or question too closely how things happen. Irreverent and funny, this early middle-grade novel is a hoot, 2001, Dutton, $15.99. Ages 7 to 10. Reviewer: Miriam Rinn (Children's Literature).
ISBN: 0-525-46799-8
Website of the Warped Wizard
Eric A. Kimmel
Illustrated by Jeff Shelly
Jessica and Matt are savvy computer game players who find themselves on a virtual quest when they log on to a web site. The quick-paced adventure begins when they click on the "Myths and Legends" folder. Suddenly a pizza delivery centaur has carried them to a mixed-up storybook scene in which Sir Lancelot is a horse and Robin Hood's Merrie Men ride motorcycles and rob from rich and poor alike. Something is definitely wrong when "Heaven" appears to be a school library and the "Other Place" is a shopping mall where credit cards are given away to everyone. Jess and Matt must undo the wrongs of an evil wizard and quit the game to return to homework and soccer practice. The video game Gopher is featured largely in this story, which cleverly uses computer lingo and references to contemporary people, places and things, such as the History Channel, Harry Potter and an espresso machine. Upper elementary readers familiar with computer games and who enjoy a dash of parody in their mystery stories will undoubtedly chuckle in all the right places. 2001, Puffin Books, $15.99 and $4.99. Ages 9 to 12. Reviewer: Jacki Vawter, Ph.D. (Children's Literature).
Awards, Honors, Prizes:
Golden Duck Awards for Excellence in Children's Science Fiction Literature
Honorable Mention 2001 Eleanor Cameron Award for Middle Grades United States
ISBN: 0-525-46656-8
Wonders and Miracles: A Passover Companion: Illustrated with Art Spaning Three Thousand Years
Eric A. Kimmel
Not a Haggadah, this book is actually read at the Passover Seder feast. Wonders and Miracles is a wonderful compilation of "art spanning three thousand years," along with stories, songs, poems, prayers, and commentary on the Order of the Seder. Prolific, award-winning author Kimmel has put together an elegant book which he urges us to read "before the Seder" and use "during the Seder...to answer questions that the participants might have." That is good advice, since he does follow the prescribed order of ceremonies Jews will be doing at their tables; yet he breaks frequently for stories (including "Alone in the Castle" by Rachel Pomerantz, "The Passover Guest" by Robert Rubinstein, "A Passover Mix-up"--a K'tonton story--by Sadie Rose Weilerstein, and others); songs (lyrics only--music would have been helpful); blessings; recipes; and commentaries. The pictures are priceless and quite varied, ranging from thirteenth century illuminations to modern illustrations from Haggadot and story books. Most of the material is suitable for older children and adults, but there are a few things grade schoolers would enjoy having read to them in preparation for this widely celebrated and beloved holiday. 2004, Scholastic, $18.95. Ages 10 up. Reviewer: Judy Chernak (Children's Literature).
Best Books:
Booklist Book Review Stars, Feb. 15, 2004; United States
Capitol Choices, 2005; The Capitol Choices Committee; United States
The Children's Literature Choice List, 2005; Children's Literature; United States
Choices, 2005; Cooperative Children's Book Center; United States
Kirkus Book Review Stars, January 15, 2004; United States
Middle and Junior High School Library Catalog, Ninth Edition, 2005; H.W. Wilson; United States
Publishers Weekly Book Review Stars, February 9, 2004; Cahners; United States
School Library Journal Book Review Stars, February 2004; Cahners; United States
Top 10 Religion Books for Youth, 2004; American Library Association-Booklist; United States
Awards, Honors, Prizes:
National Association of Parenting Publications Awards (NAPPA) Gold 2004 Ages 9 and Up United States
National Jewish Book Awards Winner 2004 Children/Young Adult Literature United States
Sydney Taylor Book Awards Honor Book 2004 Older Readers United States
ISBN: 0-439-07175-5
Zigazak!: A Magical Hanukkah Night
Eric A. Kimmel
Illustrated by Jon Goodell
Eric Kimmel, a talented folklorist and storyteller, has here again told a story filled with beauty and meaning. One winter night during Hanukkah, two devils visit and wreak havoc upon the town of Brisk. The town's people, worried by the devils' magic and alarmed at the disruption of their holiday celebrations, race to the home of their rabbi to seek his advice and assistance. With wisdom, matter-of-factness, creativity and patience, the rabbi first allays the townspeople's fears and then rids the town of the two evildoers. If the rabbi's message that "Nothing is completely wicked" and everywhere, there are "sparks of holiness" is too heavy-handed, it is okay, because the truth of his words is evidenced by his deeds. There are lush, exotic, full-color illustrations by artist Jon Goodell that capture both the seriousness and the gentle humor of this universal tale. 2001, Doubleday Book for Young Readers/Random House, $17.99 and $15.95. Ages 4 to 8. Reviewer: Judy Katsh (Children's Literature).
In this age of Harry Potter, it's wonderful to welcome a Jewish holiday book suffused with gargoyle-like devils, strange and wondrous happenings, and a rabbi wise enough to figure out the good in it all. The town of Brisk is terrified as the shouted word "Zigazak!" grows appendages on their dreidels, causes their latkes to fly out of the frying pan, and sparks exploding Hanukkah candles. How is it, then, that the rabbi seems to be enjoying these terrifying wonders? "'Nothing is completely wicked,'" he says, catching a floating latke as it goes by. "'Sparks of holiness exist in all things.'" With that, he creates a bit of magic himself, in the form of showers of gold coins for the children from the boastful devils, and then dispatches them to where they belong. Goodell's drawings fill the pages with fear, wonderment and glee in explosions of detail and color, and Kimmel's tale is not to be missed. Your only problem will be trying to figure out why "Zigazak" is spelled "ZigaZak" in the title but not in the story. 2001, Doubleday/Random, $15.95. Ages 5 to 10. Reviewer: Judy Chernak (Children's Literature).
Best Books:
Adventuring with Books: A Booklist for Pre-K-Grade 6 13th Edition, 2002; National Council of Teachers of English; United States
The Best Children's Books of the Year, 2002; Bank Street College of Education; United States
Best of the Bunch, 2001; Association of Jewish Librarians; United States
ISBN: 0-385-32652-1
Updated 04/23/07
To stay up to date on new books by this author, consider subscribing to The Children's Literature Comprehensive Database. For your free trial, click here.
If you’re interested in reviewing children's and young adult books, then send a resume and writing sample to marilyn@childrenslit.com.