Black History Month

Africa: A Look Back
James Haskins and Kathleen Benson
   The "Drama of African-American History" series is designed to offer readers an overview of elements of history that can help create a deeper understanding of the contributions Black people have made in America. The first title of this set, Africa, A Look Back, takes readers back in time to the era that bordered the commencement of the terrible slave gathering. In this illustrated work readers will see elements of African history, culture, and heritage. This complex story is told through the lives of four men who were born in various parts of Africa but became forcibly enslaved. Through these four voices, youngsters will be introduced to what life was like in African societies prior to the crushing burden of slave catchers, European colonization, and the destruction of much of traditional life. Through the use of direct quotations and citations drawn from 18th century narratives linked to these four men, the authors of this well developed study tell a fascinating story. This is a well researched and carefully structured book that sets the stage for later titles in the parent series. As such Africa, A Look Back both stands alone as a fine contribution to Black studies and as a link in the chain of research that goes into this set. 2007, Marshall Cavendish, $23.95. Ages 12 up. Reviewer: Greg M. Romaneck (Children's Literature).
ISBN: 978-0-7614-2148-1
ISBN: 0-7614-2148-3

African Americans During Reconstruction
Richard Worth
   Over the years, the Reconstruction period following the American Civil War has been portrayed as an era of mistakes, misjudgments, and error. In reality, the twelve years that made up the Reconstruction era (1865-1877) represented a time of great opportunity and amelioration of the terrible ills bred by the longstanding existence of slavery in the antebellum South. During the Reconstruction era, African-American men were given the right to vote, serve on juries, and actively participate in all levels of government. In the Reconstruction period a system of public education that included African-American children was begun in the South. Economic opportunities never before available to African Americans existed and many black men and women took advantage of them. Nevertheless, the forces of racism and white supremacy gradually seeped back into the very fabric of civil life and, by 1877, virtually all of those advances for southern African Americans were suppressed. In African Americans During Reconstruction, Richard Worth charts the course of progress and regression during that pivotal period of American history. In relating this ultimately unsuccessful age of reform, Richard Worth does an excellent job of capturing the events, keynote personalities, and spirit of those bygone years. Here, in this fine historical work, readers will encounter Klansmen, black reformers, white idealists, scallywags, and carpetbaggers. This chapter of the illustrated "Slavery in the Americas" series is an excellent resource and, perhaps, the finest book in a strong set. 2006, Facts on File/Chelsea House, $35.00. Ages 10 to 14. Reviewer: Greg M. Romaneck (Children's Literature).
ISBN: 0-8160-6139-4
ISBN: 978-0-8160-6139-6

African Americans During the Civil War
Deborah H. DeFord
   During the Civil War, over 180,000 African-American men served in the armed forces of the Union. The contributions of these soldiers and sailors were immense; they helped pave the way toward the eventual Federal victory. Despite this, the use of African-American fighting men was strongly resisted by many parties in the North. Not until 1863 was there deemed to be sufficient need to call forth African-American fighting men in any substantial numbers. Once given the opportunity to serve, African-American men faced racism amongst their Union comrades and murderous anger on the part of their Confederate foes. At places such as Fort Wagner, Port Hudson, and Petersburg, African-American soldiers demonstrated their capacity to fight and serve with courage. The story of those African-American service men is presented in this volume of the illustrated "Slavery in the Americas" series. In telling this important but often neglected element of Civil War history, Deborah DeFord does a journeyman's job. The text of this book is sprinkled with enlightening information and quotations from actual participants in the war. Occasionally elements of hyperbole or slight factual errors indicate a somewhat sketchy grasp of military facts. Nevertheless, taken as a whole, this book offers valuable information about a legacy of African-American military service that is all too often overlooked. 2006, Facts on File/Chelsea House, $35.00. Ages 10 to 14. Reviewer: Greg M. Romaneck (Children's Literature).
ISBN: 0-8160-6138-6
ISBN: 978-0-8160-6138-9

Barack Obama: Working to Make a Difference
Marlene Targ Brill
   The son of a white woman from the Midwest and a black man from Kenya, Barak Obama spent his early years in Honolulu, Hawaii where his parents had met at the University of Hawaii. After his father finished graduate school and returned to Kenya, Barak and his mother continued to live with his mother's parents in Hawaii. When he was six, his mother married again and the family moved to Indonesia for four years. Barak Obama graduated from the Punahou School in Honolulu and Columbia University. After college, he began working at the Developing Communities Project in Chicago, where he hoped to improve conditions for people in poor neighborhoods. Some three years later he traveled to Kenya where he met his paternal grandmother and other relatives. He studied law at Harvard Law School, serving as editor of the prestigious Harvard Law Review; in 1999 he was elected its president, a first for an African American. He later married another Harvard Law graduate and moved to Chicago, where he joined a small law firm focusing on civil rights. He was active in local politics and later served as a state senator. In 2004 he ran--and won--a seat in the US Senate, only the fifth African American to do so. This thoughtful biography introduces Barak Obama's inspirational story and will be a helpful addition to juvenile literature about current political figures. Other books in the "Gateway Biographies" series include biographies of Toni Morrison and Jonas Salk. 2006, Millbrook Press, $23.93. Ages 9 to 12. Reviewer: Valerie O. Patterson (Children's Literature).
ISBN: 0-8225-3417-7
ISBN: 97-8-08225-3417-4

Birmingham, 1963
Carole Boston Weatherford
   Weatherfords free verse tersely but vividly recreates the feelings of a ten-year-old African-American girl in 1963 as individuals participating in the Civil Rights Movement are being confronted with police dogs and water canons. She recalls the meetings, and the marches, but in particular, the Sunday at the Sixteenth Street Baptist Church, where, after Sunday school, Ku Klux Klan members blew up the church, killing four young girls. The horror is made clear; then each of the girls is remembered in sadness. The black cloth cover under the dust jacket sets the emotional tone for the tragic story. Full-page black and white photographs from the time face the off-white text pages with their few lines of type plus gray photographic vignettes of objects related to the text, like fancy socks and gloves, or the coins for the collection plate. The images have been chosen to emphasize the drama of the hurtful events of the day. Brick-red geometric shapes are also repeated in varying positions on the text pages, perhaps suggesting the fragmentation of the church. They add a sense of mystery as they help unify the images. An Authors Note adds factual historic information, while explaining the fictional function of the narrator of the moving presentation. 2007, WordSong/Boyds Mills Press, $17.95. Ages 8 to 12. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
ISBN: 978-1-590-78440-2
ISBN: 1-590-78440-5

Bone by Bone by Bone
Tony Johnston
   Set in the 1950's-era South, this is not just a book about racial hatred, but also about relationships with parents who love you one minute and leave you emotionally bleeding the next. David Church's daddy is a doctor, and he is determined that his son will get into the best schools and become one, too. To that end, he hangs a skeleton by the crib of the motherless child and begins drilling him on memorizing the bones as soon as he can talk. We join David from age 9, when he meets his best friend on Halloween night, to age 13 when his life changes irretrievably. The central problem is that because David is white and his friend Malcolm is black, Dr. Church forbids the friendship. David chooses to ignore the prohibition because Malcolm is his "heart-friend." He believes they "could no more be separated than green from grass." Even Dr. Church's threat to shoot Malcolm if he ever sets foot in the house does not stop the boys. The prevailing racial intolerance will. When David publicly defends his friend in a confrontation with several white men, the threat to Malcolm's life from the Klan escalates. Beyond the irrationality of his father's treatment of Malcolm, David gradually realizes how hopes and dreams are stripped away from other African Americans in his town by their hostile treatment at the hands of whites. Based on her own family and experiences growing up, the author does not pull any punches in her presentation of heart-wrenching events and hard language. This is a riveting story which can facilitate understanding of the racial tensions that shaped this period in U.S. history. Readers will be able to identify with general issues of friendship and conflict with parents. 2007, Roaring Brook Press/Holtzbrinck Publishing, Ages 11 to 15, $17.95. Reviewer: Paula McMillen, Ph.D.
ISBN: 1-59643-113-X
ISBN: 978-1-59643-113-3

Bronzeville Boys and Girls
Gwendolyn Brooks
Pictures by Faith Ringgold
   It is hard to believe that the boys and girls of Bronzeville celebrated here are now over fifty years old. Pulitzer Prize winner Gwendolyn Brooks first published this collection of poetry for and about children in 1956, but the joys and woes of childhood have not changed significantly in the last five decades: children still stage fancy tea parties, get bored by grown-ups' conversations, fear thunderstorms, mourn dead goldfish, and comfort themselves with the "little wiggly warmness" of a puppy. Brooks recognizes and honors the smallest moments and the most fleeting realizations of childhood: the oddity of seeing oneself in a mirror, "A child you know and do not know, wearing what you wear;" the awareness that the clock is ticking away not only the time but "the me" I am each day. This new edition of Brooks's poetry, illustrated with stunning paintings by Faith Ringgold, takes the reader past the stoops and trees and fire escapes of the Bronzeville neighborhood of Chicago and into the homes and hearts of its residents. Ringgold's paintings are filled to bursting with the magic and wonder of these timeless children, each caught in one brief moment of time. 2007 (orig. 1956), Amistad/HarperCollins, $16.99. Ages 7 to 10. Reviewer: Claudia Mills, Ph.D. (Children's Literature).
ISBN: 978-0-06-029505-9
ISBN: 0-06-029505-8
ISBN: 978-0-06-029506-6
ISBN: 0-06-029506-6

The Buffalo Soldier
Sherry Garland
Illustrated by Ronald Himler
   Right after slavery was ended in the United States, many African-American men signed up to join the army. They felt that even though they were free, they were no better off than they had been before. They still had no land, no money, no education, and not very many prospects for improving their lives. Joining the army, many reasoned, would be a good way to earn money to start a new life. Some who joined were assigned to cavalry units, and later became known as buffalo soldiers as much for their tenacity as for their coarse curly hair. This touching first person account of one buffalo soldier's service in the army, from beginning to end, takes readers from his days right after the Civil War ended up to the Spanish American war, riding with the Roughriders and Teddy Roosevelt, through to his grandson's service in World War II . Each page in this historically based fictional account chronicles important events in American history and tells, through one man's story, how the steadfast buffalo soldiers contributed to these events, to the growth of the country, and how they became a memorable part of our history. 2006, Pelican Publishing Company, $15.95. Ages 4 to 10. Reviewer: Trina Heidt (Children's Literature).
ISBN: 978-1-58980-391-6
ISBN: 1-58980-391-4

Campy: The Roy Campanella Story
David A. Adler
Illustrated b Gordon C. James
   As a small boy, Roy Campanella plays stickball in the streets and watches the Philiadelphia Athletics from the rooftop of a nearby house. At age fifteen, he joins the Negro Leagues. Along with talent, it is his strong work ethic and ability to get along with other people that earn him a spot with the Dodgers. Not even ugly words from some spectators can stop Campy from becoming professional baseball's first African American pitcher. Time and again he wins the Most Valuable Player Award, and in1955, he helps the Brooklyn Dodgers win the World Series. His baseball career comes to an unfortunate end on January 28, 1958, when an automobile accident leaves him paralyzed. However, Campy refuses to let anything change who he is. Rich, opaque illustrations detail this time in our nation's history, portray the change in emotions, and work well with the story to show the strength of Roy Campanella's character. This tribute to an outstanding role model conveys a timely message about fulfilling dreams even during hard times. Instructive about black history and good sportsmanship, this book is a must-have for any literary collection for young people. 2007, Viking/Penguin Young Readers Group, $15.99. Ages 6 to 8. Reviewer: Carol Kirkham Martin (Children's Literature).
ISBN: 0-670-06041-0
ISBN: 978-0-670-06041-2

Dear Mr. Rosenwald
Carole Boston Weatherford
Illustrated by Gregory Christie
   I for one did not realize what Julius Rosenwald, the President of Sears, Roebuck and Company had done for education. He donated money to found schools for rural African-American communities. There were some strings or requirements associated with the bequests--Rosenwald provided the seed money and the community had to obtain the land, raise more funds, and build the schools. There had to be participation by the white populace, and the state had to agree to continue to support the schools. Carole Weatherford tells the story of one particular school and the sharecroppers who had so little who worked so hard to raise the necessary funds, obtain the land, get lumber from black and white farmers, and the sweat of hard labor to build a school. The parents knew that education was the only way to escape the grinding poverty that held them bondage. The new teacher summed it up "Children, you are diamonds in the rough / I will polish you bright as stars." Also the letter written to thank Mr. Rosenwald is reprinted on the back jacket. The author's note is quite informative and it is amazing to learn that more than 5,000 Rosenwald schools were built. The art by Coretta Scott King honor artist Christie has a primitive look. At first glance it was a bit off putting, but as the story unfolded, it felt more and more appropriate. By a second reading, I was seeing more and more in the faces of the people and Christie's ability to reflect in his images the lyrical text. 2006, Scholastic, $16.99. Ages 5 to 10. Reviewer: Marilyn Courtot (Children's Literature).
ISBN: 0-439-49522-9
ISBN: 978-0-439-49522-6

Dizzy
Jonah Winter
Illustrated by Sean Qualls
   Told in a loose, rap style with occasional rhyme, the life of Gillespie, "one real cool cat," is traced from his poor childhood, when he was beaten by his dad and had to fight bullies to survive. When his music teacher gives him a trumpet, blowing it feels GOOD! Instead of fighting, he plays until he is "the best musician in town." He wants to play the new kind of music called "jazz;" it broke the rules and was fun to play. Kidding around with his playing in Philadelphia earns him the nickname of "Dizzy." He goes from there to New York, a place that he feels breaks the rules the way he does. Although in trouble at first, he hits his stride there, finally on top of the world, playing his "Bebop" on his way into Jazz Heaven. The visuals and page designs here swing along with the written story; there is even some playing around with the type face here and there to emphasize a point, for words like "COOOOOOOOL" or "CRAZY" or "DIZZY." Told on double pages with background bits of varying colors, the visual story has superimposed people playing instruments, dancing, or listening. Often color streams out of horns like sounds. The large pages with images composed of acrylic, collage, and pencil seem to pulse with the evolving music. An "Author's Note" fills in more of the facts than the jazzy text can include. 2006, Arthur A. Levine Books/ Scholastic, $16.99. Ages 4 to 8. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).

   Written in the language of jazz, this is the story of "one cool cat," Dizzy Gillespie, who emerged playing a genre of music striving to plant its roots within African America. This autobiographical account reaches out to the very core of childhood. Instead of relying on didacticism, this tale encourages expressive freedom in young readers. Clown around! Play jokes! Don't be afraid of your individuality! In the beginning, we see a life of dejection, as Dizzy grows up poor and frequently ends up in violent situations--conflicts that Winter does not mask. Despite these hardships, Dizzy seeks an outlet through music and begins to play the trumpet and piano. Through the inspiring, yet often hilarious, events that take Dizzy on his journey, readers can see that breaking all the rules can sometimes be positive and fun. Winter uses musical lyrics that jump all over the page in a rhythm of their own, and the pictures likewise create colorful collages full of life that appropriately retell the story of Dizzy's own artistic talent. This book is a great introduction to one of the most influential eras of music and to one of the most prominent American musicians of all time. The book includes an informative author's note about Dizzy Gillespie. 2006, Arthur A. Levine Books/Scholastic, $16.99. Ages 4 to 8. Reviewer: Natalie Couch (Children's Literature).
ISBN: 0-439-50737-5
ISBN: 0-439-50736-7
ISBN: 978-0-439-50737-0
ISBN: 978-0-439-50736-3

Fleeing to Freedom on the Underground Railroad: The Courageous Slaves, Agents, and Conductors
Elaine Landau
   This segment of the history of slavery is known, but the extent of the courage of those involved is not. In essence it was a secret system made up of those who opposed slavery and were willing to do something about it. There was, perhaps, some connection, if not directly then morally, between the underground railroad and the abolitionist movement. People involved in this movement educated people through talks and newspaper articles about the cruelty and brutality of slavery. Many involved in the underground railroad were harassed, beaten, fined and often jailed for extended periods of time for their activities. The author includes accounts of two people who were considered heroes of the underground railroad: Harriet Tubman, the most famous conductor of the underground railroad; and Levi Coffin, the best known male agent of the underground railroad. The brutality that he witnessed as a child had a profound effect on him. When he grew up he was determined to make a difference. Over a period of twenty years Levi and Catherine Coffin made their home in Indiana, one of the stops, a safe haven, for escaping slaves. One of the slaves that the Coffins provided refuge to was Eliza, upon whom Harriet Beecher Stowe based her character in her book, Uncle Toms' Cabin. This is a well documented rendition of the history of the underground railroad. 2006, Twenty-First Century Books, $26.60. Ages 10 to 12. Reviewer: Leila Toledo (Children's Literature).
ISBN: 978-0-8225-3490-7
ISBN: 0-8225-3490-8

Freedom Riders: John Lewis and Jim Zwerg on the Front Lines of the Civil Rights Movement
Ann Bausum
Forewords by Freedom Riders Congressman John Lewis and Jim Zwerg    This short, oversized book tells the story of the Freedom Rides into the Deep South in the early 1960s based on the experiences of a young white man and a young black man. Jim Zwerg grew up in white, middle-class, midwest America. John Lewis grew up in the poor, segregated rural South. The two men met in 1961 in Nashville, Tennessee where college students were protesting local segregation. Lewis and Zwerg joined in the freedom bus rides to challenge segregation. White mobs viciously beat both men, Zwerg especially so. But the violence that was intended to discourage the freedom riders led to eventual success. The writing, often awkward, needs a bit of polish, but black-and-white photographs and supplementary information on the Civil Rights movement enhance the story. 2006, National Geographic Society, $18.95. Ages 8 to 12. Reviewer: Michael L. Cooper (Children's Literature).

   This excellent retelling of the early days of the Civil Rights Movement, in particular the events surrounding the Freedom Rides of May, 1961, leaves little to the imagination. The author does an admirable job of setting the historical stage for young readers through her use of period black-and-white photos and descriptions of the separate worlds of blacks and whites in the 1950s and 60s. The detailed biographies of John Lewis and Jim Zwerg, who eventually became Freedom Riders, sets the stage for their involvement in the Civil Rights Movement and their lasting friendship. Students of today need reminding of the struggles that earned them their freedoms today, and Mr. Lewis and Mr. Zwerg's story should stand as a reminder that people of courage need to stand up for the rights of others as well as themselves. Seeing the actual photos of those difficult times in American history should inspire teachers, as well, to use history as inspiration for change. It is a fascinating, well-researched account that illustrates that the courage and actions of even young people can make a difference. An interesting time line, partial roster of freedom riders, resources for further study, and extensive bibliography are included. 2006, National Geographic Society, $18.95. Ages 10 to 14. Reviewer: Meredith Kiger, Ph.D. (Children's Literature).
ISBN: 0-7922-4173-8
ISBN: 0-7922-4174-6
ISBN: 978-0-7922-4173-7
ISBN: 978-0-7922-4174-4

A Friendship for Today
Patricia C. McKissack
   Rosemary thrives on new challenges, whether it is racing her best friend J.J., trying to save a young kitten's life, or starting school as the only African American in her new integrated sixth-grade class. In this work of historic fiction, the young protagonist discovers the difficulties that come from change through the negative actions of some of her white classmates, J.J.'s illness, and her parents' divorce. However, Rosemary also learns the promising future of desegregation as she has positive interactions with her teacher, makes new white friends, and succeeds academically; these events make her an extremely strong character. The novel might offer insight in a classroom discussion because it demonstrates Rosemary's courage during her struggle to succeed in an all-white school. In addition, McKissack gives the reader a more personal look at the impact of Brown vs. the Board of education, racism, and the polio epidemic through her vivid imagery. I would definitely recommend this book to young adult readers looking for an inspiring story of black history. 2007, Scholastic Press, Ages 9 to 12, $16.99. Reviewer: Ashley Palermo (Children's Literature).
ISBN: 978-0-439-66098-3

Freedom Ship
Doreen Rappaport
Illustrated by Curtis James
   With the same deft touch that this talented duo employed for The School Is Not White, this title presents a fictionalized account of an actual event based on newspaper accounts and details from the book From Slavery to Service: Robert Smalls, 1839-1915 written by Okon Edet Uya (Oxford University Press, 1971). Told from the viewpoint of the young boy Samuel, the story unfolds as he works on a merchant ship in Charleston's harbor while the Union ships blockade the port. Samuel's father and the first mate of the ship have formulated plans to take the "Planter," now loaded with Confederate cannons and "lots of ammunition" out of the main harbor and turn it over to the Union Army. Their determination to escape to freedom (and to prevent the cannons being used in the conflict of the Civil War) is such that they are committed to "blowing up the ship" if they cannot reach the protection of the Union vessels. The wives and children of some of the men involved scurry to the docks in the middle of the night. They are all terrified that their bid for freedom may end in tragedy. Rappaport tells the story with careful, succinct straightforward prose that builds with the drama of the escape but is not above the level of younger readers to comprehend. The illustrations cross the gutter creating two-third spreads, which leaves ample white space for the text--making it easy for reading aloud in a group setting. The facial expressions and the active movement of the pictures create tension as the brave men and women make their way to the ship and set off. Samuel's family and the others on the ship collectively hold their breath as each phase of the journey proceeds. After receiving permission to exit the harbor, they have to worry that the Union ships will fire on them; but when they raise Samuel's white bed sheet from the "Planters" mast they are accepted by the patrolling Union ships. Freedom is, indeed, theirs. As the back matter reveals, the actual story did not end there. The real Robert Smalls went on to become the captain of the "Planter" and later to be elected to the South Carolina state legislature. He also served five terms in the U. S. House of Representatives. In 1887, he became the customs collector for Beaufort, SC. A bibliography is included, as well as numerous web sites to learn more about Robert Small and "other brave African Americans." The endpapers feature a "Plan of Charleston Harbor, And its Fortifications" compiled by Elliot and Ames in 1861. A photograph of "Robert Smalls. Captain of the Gunboat 'Planter'" is superimposed on the endpapers, giving a concrete look at an extremely brave man--a concrete example for all. 2006, Jump at the Sun/Hyperion Books, $15.99. Ages 6 up. Reviewer: Sheilah Egan (Children's Literature).
ISBN: 0-7868-0645-1
ISBN: 978-0-7868-0645-4

Freedom Walkers: The Story of the Montgomery Bus Boycott
Russell Freedman
   Written by an acclaimed author of nonfiction for young readers, this well-researched account of the Montgomery bus boycott is a must-read for students in the upper elementary grades and middle school. The account sets the stage for the boycott by reviewing what life was like for blacks living in the South in the 1950s. The author uses personal accounts of various citizen participants as well as Rosa Parks and Martin Luther King, Jr., providing powerful words and experiences for readers. The numerous black-and-white photos make it seem like this event occurred long ago, but many teachers will have actually lived through this turbulent time and can relate to it. Students today need to be informed of the courage of others and the struggles overcome to appreciate the freedoms that they do have today. A bibliography and sources for the many quotes in the book are included. The eyewitness accounts bring this story to life. 2006, Holiday House, $18.95. Ages 10 to adult. Reviewer: Meredith Kiger, Ph.D. (Children's Literature).
ISBN: 978-0-8234-2031-5
ISBN: 0-8234-2031-0

George Crum and the Saratoga Chip
Gaylia Taylor
Illustrated by Frank Morrison
   According to the author's note, this picture book, about the invention of the potato chip, is expanded from a very few facts. George Speck Crum was born in 1828. He is credited with inventing Saratoga chips while he was a chef trying to satisfy a fussy restaurant client who complained that the French fries he/she ordered were too thick. Most of the rest of the story of his life from childhood onward is based more on speculation than information. The book relies heavily on stereotypes to define his life, with some stereotypes evident in the artwork. For instance, George's friend, a Frenchman who taught him to cook, is pictured looking rather effeminate with pointed beard on pointed chin and turned up toes on his shoes. The author is a retired reading teacher who has been writing children's stories for years. This is her first picture book. The illustrator has won a number of awards and his artwork is included in many private collections including those of Bill Cosby and Maya Angelou. The book is published by Lee and Low Books, an independent children's book publisher specializing in multicultural themes. Their website says the publisher "makes a special effort to work with artists of color, and takes pride in nurturing many authors and illustrators who are new to the world of children's book publishing." 2006, Lee and Low Books Inc, $16.95. Ages 4 to 7. Reviewer: Janet Crane Barley (Children's Literature).

   Crum is a little-known historical figure who invented a well-known favorite food, the potato chip. George, part African American and part Native American had a hard time growing up in the prejudicial world of 1830s Saratoga Springs, New York. His passion for cooking made him famous and wealthy, but he never had patience for preferential treatment of clientele. It was the complaints of a fussy diner who led him to invent the quickly-fried thin potato slices called Saratoga Chips, now named potato chips. These helped bring him the money needed to open his own restaurant, an establishment where people of all kinds had to wait for service regardless of race, color, or class. 2006, Lee and Low, $16.95. Ages 6 to 10. Reviewer: Susie Wilde (Children's Literature).
ISBN: 978-1-58430-255-1
ISBN: 1-58430-255-0

The Harlem Hellfighters: When Pride Met Courage
Walter Dean Myers and William Miles
   The 369th Infantry Regiment distinguished itself in World War I more than most other U.S. fighting units. America's fighting role in the Great War was relatively short, but the 369th's story is exceptional because it was a black regiment in an era of segregation when blacks were usually regimented to jobs as laborers. The 369th fought as part of the French Army and saw lots of combat. Some of the battles were so horrific that newspapers dubbed the 369th Hellfighters. By war's end it was one of the most decorated American regiments of WWI. Myers and Miles have done an excellent job retelling this dramatic story--one of the previous books on this subject, now out of print, was by yours truly--which undercuts popular arguments for segregation in America. Miles is the 369th's historian and his contribution has enhanced this attractive and engaging book with personal accounts and photographs. 2006, HarperCollins, $16.99. Ages 9 to 12. Reviewer: Michael L. Cooper (Children's Literature).

   Since its colonial days, America has been a nation that has been dogged by the scarring effects of racial prejudice. In this title readers are given a chance to see both another example of this theme of racial bigotry and the way in which one group of African-Americans strove to overcome it. The subject matter of this fine book is the 369th Infantry, dubbed "The Harlem Hellfighters." The 369th was originally the 15th New York National Guard Regiment. Once America entered the First World War in 1917, the 15th became a fully-vested part of the American Army. In France, the 15th was renamed the 369th and was assigned to fight under French command. In the trenches of the Western Front, the 369th became a hardened combat infantry unit. Several of its members received the highest French decorations for bravery while the entire unit was also recognized for valor. However, as the two authors of this insightful book note, these accomplishments did not impress American bigots either at home or in the military. In the end, the accomplishments of the 369th were noteworthy as was the bravery of its membership. This is a well-written and compassionate book that tells the story of African-American soldiers who stood up and tried to be "race men" at a time when doing so was a grave risk. 2005, Harper Collins Children's Books, $16.99. Ages 10 up. Reviewer: Greg M. Romaneck (Children's Literature).
ISBN: 0-06-001136-X
ISBN: 978-0-06-001136-9
ISBN: 0-06-001137-8
ISBN: 978-0-06-001137-6

Harriet Tubman, Secret Agent: How Daring Slaves and Free Blacks Spied for the Union During the Civil War
Thomas B. Allen
Illustrations by Carla Bauer
   The author combines his knowledge of military history and spying techniques to bring to life a little-known chapter in the life of Harriet Tubman, who is more famous for her work to lead slaves to freedom using the Underground Railroad. Excellent research using diaries, letters, and other primary sources, combines with compelling illustrations with the authentic feel of photography to make this a fascinating and insightful book. The twelve chapters in the book feature the work of Tubman and other runaway slaves or free Blacks in a spy network working for the Union during the Civil War. Each chapter contains a brief summary at the beginning, which will be helpful to younger researchers. Research tools include a time line, extensive text notes, maps, additional resources, an index, and a cast of characters, all done in an age-appropriate way. Throughout the book, the author has included notes in code. The end of the book contains the "cipher-square" necessary to read these codes. All of these features combine to make a handsome, intriguing book that will be perfect for students of U.S. history or African American history. 2006, National Geographic, $16.95. Ages 8 to 12. Reviewer: Sheryl O'Sullivan (Children's Literature).
ISBN: 0-7922-7889-5
ISBN: 0-7922-7890-9
ISBN: 978-0-7922-7889-4
ISBN: 978-0-7922-7890-0

Henry's Freedom Box
Ellen Levine
Illustrated by Kadir Nelson
   Henry Brown does not know how old he is. He is a slave, and slaves are not allowed to know their birthdays. When Henry is young, the master gives Henry to his son, separating him from his family. Henry dreams of being free as the birds are. As an adult, Henry meets a young woman named Nancy, whom he later marries and with whom he has three children. Once again Henry's dreams are crushed as he watches Nancy and their children disappear from his life after being sold. At night, all Henry can think about are the carts carrying away his family that he loved so dearly. Desperately wanting to be free, he gets the brilliant idea to mail himself to freedom with the help of two friends. After a long, hard journey in a wooden box, Henry arrives in Philadelphia, where he celebrates his birthday--his first day of freedom--and acquires a middle name. He is now known as Henry "Box" Brown. Artist Kadir Nelson uses crosshatched pencil lines with layers of watercolor and oil paint to add visual strength to the text. Pictures fill the entire two-page layouts with exquisite detail, bringing this true story to life. 2007, Scholastic, $16.99. Ages 4 to 8. Reviewer: Sunday Ford (Children's Literature).

   Henry Brown was born a slave. As a young boy when his master became ill and was on his death bed, Henry was refused his freedom and was separated from his mother. Growing into a young man after being separated from his family, Henry yearned to be as free as the birds. After marrying and starting a family, Henry once again was separated from his family and became heartbroken. The good work and good character Henry had always maintained did not keep his family together. Unfortunately, family separation was a very common practice during slavery. With the help of some good friends, Henry took control of his destiny and prevailed, acquiring his freedom through persistence and hope. Levine recounts this factual and brave story faithfully, and Nelson illustrates it beautifully with robust and luminous pictures that are worth more than a thousand words. The story offers a revealing truth by depicting how families were torn apart during slavery. It also reveals a wonderful spirit of friendship by showing how Henry's friends--both white and black--helped him escape to freedom. Levine uses this true story from the Underground Railroad to teach and inspire readers of all ages. Henry's story teaches us all never to give up on our dreams. 2007, Scholastic Press, $16.99. Ages 4 to 8. Reviewer: TiUnna Langley (Children's Literature).

   Henry Brown, she begins, was not sure how old he was. Henry was a slave. And slaves were not allowed to know their birthdays. Kadir Nelson's poignant paintings show a small boy sitting on a stool, his sad eyes inviting children to understand the pathos of his life. Other emotional vignettes let children understand Henry Box Brown, the man who mailed himself to freedom during the Civil War. The final page shows him shedding his desolation as he climbs smiling from a box on his birthday, "March 30, 1849, his first day of freedom!" This picture book biography reaches down to younger audiences. 2007, Scholastic, $16.99. Ages 5 to 9. Reviewer: Susie Wilde (Children's Literature).

   This true story of one escaped slave, Henry Brown, is simply and movingly told by Ellen Levine, author of several critically acclaimed books about episodes of social injustice (e.g., A Fence Away from Freedom, Freedom's Children, and Darkness over Denmark). When he was still a young boy, Henry was separated from his family at the whim of his master, and longed to be as free and happy as he imagined the birds were. As an adult, Henry once again lost his family when his wife and three children were sold off while he was at work. All the joy was gone from life and he was prepared to take desperate measures to escape. With the help of a local physician opposed to slavery, Henry was nailed into a wooden crate and shipped from Richmond, Virginia to Philadelphia--a grueling 27 hour journey--where he was released from the box and his slavery. Afterwards the story of Henry "Box" Brown's daring escape was used to help raise money for abolitionist efforts. Levine's narrative is richly enhanced by the masterful watercolor, oil, and pencil illustrations of Kadir Nelson, also a previous award recipient (e.g., Ellington Was Not a Street, and Thunder Rose). The full two-page spreads, often of small details, like the "THIS SIDE UP" label on the shipping crate, add visual power and immediacy to the text. A brief historical note about the Underground Railroad is provided at the end of the book along with a short bibliography for further reading. This is a very personal account of the injustice of slavery that will surely provoke curious students to learn more about the Underground Railroad, Henry Brown, and slavery in general. 2007, Scholastic Press, $16.99. Ages 6 to 10. Reviewer: Paula McMillen, Ph.D. (Children's Literature).
ISBN: 0-439-77733-X
ISBN: 978-0-439-77733-9

Jackie Robinson: Hero and Athlete
Suzanne Slade
Illustrated by Thomas Spence
   A photo of Jackie Robinson at bat accompanies a brief, one paragraph introduction which calls attention to the attributes that made him an excellent choice to break the color barrier in Major League baseball in 1947. Primary grade students will learn about Jackie's childhood, his time in the army, how he became a player with the Kansas City Monarchs, and what it was like to be the first Black player in Major League history. Most sentences are short and simple, thereby encouraging independent reading. The picture-book size and the full color illustrations in acrylics and ink make this appropriate both as a read aloud and as an independent read for second graders. The wide range of facial expressions provides visual clues to help the reader understand the emotional highs and lows of Jackie's life. Part of the "Biographies" series, more details of his life can be found in the timeline and in the "Did You Know?" facts presented in the back of the book. A glossary, brief bibliography, index and Facthound web site address are also there. 2008, Picture Window Books, Ages 5 to 8, $25.26. Reviewer: Sharon Salluzzo (Children's Literature).
ISBN: 978-1-4048-3978-6

Jazz
Walter Dean Myers
Illustrated by Christopher Myers
   This collection of poems celebrating jazz melds the history of jazz with modern jazz poetry. The book opens with two pages answering, "What is jazz?" The answer is succinct and informative, providing readers with a strong platform for diving into poetry. The poetry topics in this book range from frustration while creating music, to odes for past jazz legends, to describing different jazz styles, to basic human emotions like sorrow and joy. The two font types used in the book highlight and illustrate the rhyming schemes and vibrant word usage for the reader. Each poem is accompanied by an illustration that brings the movement and life of jazz to the book and sets the mood for the poem. The lively backgrounds silhouette era-inspired dancers, while the more mellow and sober poems show shadowed players. Myers's choice to conclude with a glossary of jazz terms and a time line of the evolution of jazz gives readers a lesson in the history and context of jazz. The additional information expands readers' understanding of the poetry and offers them a glimpse into the depths of jazz's influence over a century. This book creates an atmosphere that will help readers more fully appreciate and understand the importance of jazz in contemporary American life. 2006, Holiday House, $18.95. Ages 4 to 8. Reviewer: Sarah Carpenter (Children's Literature).

   Fifteen poems give a unique spin to music history in this title. The highly acclaimed author opens with a title poem that speaks of the African origins of jazz and "[d]rumming in tongues along the Nile," then swings to an exuberant tribute to Louie Armstrong in which that legendary trumpet player spanks a bad tune "like a naughty boy." The rhythm and word-play of poems such as "Be-Bop" and "Three Voices" will have kids bouncing and repeating lines like "[a] bippety-bop snake can't bite my style" and "[t]hum, thum, thum, and thumming/I feel the ocean rhythm coming." The illustrator brings the intensity of fluid lines and saturated color to his portraits of the jazz world. Fittingly, this creative father-son team dedicates their book, in the aftermath of Hurricane Katrina, to "the children of New Orleans," birthplace of jazz. A wonderful book to celebrate Kwanzaa's principle of creativity. 2006, Holiday House, $18.95. Ages 8 up. Reviewer: Mary Quattlebaum (Children's Literature).
ISBN: 978-0-8234-1545-8
ISBN: 0-8234-1545-7

Jazz on a Saturday Night
Leo & Diane Dillon
   Kwanzaa celebrants are sure to enjoy Jazz on a Saturday Night. This poetic tribute to a unique American art form exemplifies the Kwanzaa principles of umojo (unity), kujichagulia (self-determination) and kuumba (creativity). Master artists Leo and Diane Dillon open their book with an African American audience eagerly awaiting the first note at a concert. And what a first note it turns out to be, played by Miles Davis on trumpet. Other jazz greats join in: Max Roach on drums, Thelonious Monk on piano, Charlie Parker and John Coltrane on their saxes. Soon "notes fly through the sky on the wings of a bird." The powerful rhythms, jubilant spirit and stunning illustrations will soon have young readers "catch[ing] the excitement on Saturday night." An accompanying CD ramps up listening pleasure. 2007, Blue Sky/Scholastic, $16.99. Ages all. Reviewer: Mary Quattlebaum (Children's Literature).

   "On stage, the musicians/ open their cases,/ set up their instruments,/ take their places./ Spotlight's on! The announcer sweeps into sight./'You're in for a session of magic tonight.'" Thus begins Leo and Diane Dillon's creation of one imagined Saturday evening of "jazz immortality." The Dillons bring together many of the undisputed greatest players in the history of jazz--Miles Davis, Max Roach, Charlie Parker, John Coltrane, Thelonious Monk, Stanley Clarke, and Ella Fitzgerald--who never actually shared the stage all at the same time (e.g., Clarke was born just four years before Parker died). But the point is not to portray an actual historical event but to capture in picture book form the contagious excitement of jazz. The simple, effortlessly rhyming text shows how jazz musicians work together to improvise music never heard before or after that one special evening: "His [Coltrane's] sax talks to Charlie's, and Charlie's talks back." As one page leads in to another, different musicians join in, and the audience joins in, too, "toes tapping, hands clapping," exploding in applause, "on our feet with delight" because "Jazz is so cool on a Saturday night." The art shares the love each musician has for his instrument; on the final spread we can feel the glow of the well-dressed, exuberant but contented African-American audience dancing their way back home again. The book includes brief bios of the jazz greats featured, recommended recordings, and a CD containing additional information about jazz and an original jazz piece inspired by the paintings in the book. 2007, Blue Sky/Scholastic, $16.99. Ages all. Reviewer: Claudia Mills, Ph.D. (Children's Literature).

   The Dillons use rhymed couplets of two lines per page as captions for a vividly-imagined "evening of jazz immortality" celebrating this original American art form. Miles Davis is on trumpet, Max Roach on the drums, Charlie Parker on alto sax, John Coltrane on his sax, Thelonius Monk on piano, and Stanley Clarke on bass as Ella Fitzgerald sings "bebop doo-wop." The audience eagerly shares the beat, recognizing that "[j]azz is so cool on a Saturday night." Night shades and patterns suggest the environments of the musicians and the energized audience, for passionate picture-making. We can feel the pulse of the music as "sound" images flow from Davis's trumpet or Roach's drums, sending sound patterns across the walls. Figures are flat, stencil-like, and without textures, crowded together to create their own musical notations; dark shapes have frequent accents of a light shirt or gloves or necklace. Jazz is discussed in the brief introduction; there are also biographical notes on the performers included. The accompanying CD adds information on jazz, the instruments included, the artists, and an original song. 2007, Blue Sky Press/Scholastic, $16.99. Ages 5 to 9. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
ISBN: 0-590-47893-1
ISBN: 978-0-590-47893-9

Jimi Hendrix
Dale Gelfand
   Jimi Hendrix is thought to be one of the most influential electric guitarists in rock music--a testimony to the extraordinary talent and determination of a boy born to a poor and, at best dysfunctional, family. From the "Black Americans of Achievement Legacy Edition" series, this book takes an informative look at the man whom Rolling Stone named as "The Greatest Guitarist of All Time." The volume traces Hendrix's rag-to-riches story from his chaotic boyhood in Seattle, through his struggles to achieve success and worldwide fame, to his untimely death at the age of 27. This edition includes new full-color photographs as well as frequent sidebars with additional information about the life and times of Jimi Hendrix. At the end of the volume, readers will find a discography (including DVDs), a chronology, a list of books and websites for further reading, and an extensive index. 2006, Chelsea House, $30.00. Ages 13 up. Reviewer: Anita Barnes Lowen (Children's Literature).
ISBN: 0-7910-9214-3
ISBN: 978-0-7910-9214-9

Josephine's Dream
Joan Betty Stuchner
Illustrated by Chantelle Walther
   From the time she was a child Josephine had a dream that she would be a star performer with her name in lights. Realizing that her dream would not come true in the United States, Josephine went to Paris where she became the star known as Josephine Baker. Fame and fortune were only parts of her dream, however. She fought against racism throughout her life. During World War II she worked with the French Resistance. Later, she adopted her "Rainbow Tribe," twelve children of all races. She wanted to show that all people, no matter what color, could get along. The lively tone and the message of this fictionalized account make this a good choice to read aloud. Controversial aspects of her life have been left out. The Afterword presents more information about Josephine Baker's life and her efforts to break down racial barriers. One small quibble: the Josephine Baker official web site lists her birth name as Freda Josephine McDonald. Stuchner gives Josephine her father's last name and calls her Josephine Freda Carson. Walther's full color, eye-catching illustrations take her from her childhood on the mean streets of East St. Louis to her glamorous life on the Paris stage, and beyond to her time as a mother. The graphic style will work well in a group setting. 2008, Silverleaf Press, Ages 5 to 7, $16.95. Reviewer: Sharon Salluzzo (Children's Literature).
ISBN: 978-1-934393-04-8

Langston Hughes
Edited by Arnold Rampersad & David Roessel
Illustrations by Benny Andrews
   The concise biographical introduction to this handsome collection of poetry by Langston Hughes is the perfect gateway to the world of words built by the poet during his quest to capture the sounds, rhythms, songs, and experiences of "his people." Greatly influenced by Walt Whitman, Hughes produced an influential body of work that left its indelible mark on American literature and culture. The editors have given enough historical information and educated insight in their introductions to each individual poem to give the reader a better sense of interaction with the impressions Hughes was endeavoring to convey. The art work is just as vibrant and lyrical as Hughes' splendid language--the colors and images leap off the pages while portraying an exuberant poem, and then sink down with poems like "The Homesick Blues" and "Genius Child." One of my favorite spreads is of the poem "I, Too" with its joyous image demonstrating Hughes' pride in and attitude toward being African-American. The illustration for "Dreams" is simply perfect. The range and variety of the selections give a good overview of the scope of Hughes' talent with different types of poetry and information about his plays and musical productions. This title is an excellent addition to the "Poetry for Young People" series and will be welcomed by librarians, media specialists, teachers, students, and lovers of fabulous poetry showcased by fabulous art. 2006, Sterling Publishing Company, $14.95. Ages all. Reviewer: Sheilah Egan (Children's Literature).
ISBN: 978-1-4027-1845-8
ISBN: 1-4027-1845-4

Lift Every Voice and Sing
James Weldon Johnson
Illustrated by Bryan Collier
   Collier states, "This book is a celebration, a jubilee, and a song of hope through difficult times in American history, as well as in the present, in which people overcome the obstacles they experience in life." His mixed-media illustrations accompany the lines of the official African American National Hymn. What a beautiful way to teach children this song! Each double-page spread has both illustration and text. The typeface and size of the text varies, so as to emphasize certain phrases. The illustrations have a direct connection with the text, but also contain symbolism and allusions to African American history. Water is a key element in many of the paintings. On the title page we see a ship coming across the sea. Later, children are drinking from water fountains, and on another page is a statue of Dr. Martin Luther King, Jr. at a reflecting pool. Since this song was first sung by a children's choir, how appropriate to have it illustrated with the faces of joyful, hopeful, beautiful children. 2007, Amistad/HarperCollins, Ages 4 to 8, $16.99. Reviewer: Sharon Salluzzo (Children's Literature).
ISBN: 978-0-06-054147-7
ISBN: 978-0-06-145897-2

Marked by Fire
Joyce Carol Thomas
Illustrated by Ellice M. Lee
   It is easy to understand why this book won the National Book Award as well as a New York Times Notable Book of the Year award. Reading this book, you feel you are a member of the small black community described in its pages. Patience is picking cotton when Abssinia is ready to be born. The pickers place their cotton sacks to keep Patience comfortable during the birthing process. Mother Barker is there and serves as midwife. Abby becomes a joy to her parents, school and neighborhood. She has a beautiful voice and sings at gatherings. She reads to the elderly who can no longer see. One day, a deacon of the Church rapes Abby. All at once, the girl loses her virginity, as well as her ability to walk, talk and sing. Singing is the last skill to return. Abby wanted to become a doctor after graduation, but her dream does not materialize. Abby's godmother taught her secret, healing recipes that can be made from wild herbs and plants. Abby inherits her godparents' home and her godmother's secret recipes. She is kind to her community, especially an unfortunate classmate. At the close of the book, Abby has established herself as a guiding light in her community. Thomas recommends a Reading Group Discussion Guide at the end of the book and provides a list of books for teens to read. 2007 (orig. 1982) Avon Books/Hyperion, Ages 12 to 18, $15.99. Reviewer: Jennie DeGenaro (Children's Literature).
ISBN: 978-1-4231-0143-7
ISBN: 1-4231-0143-X
ISBN: 978-1-4231-0144-4
ISBN: 1-4231-0144-8

Martha Ann's Quilt for Queen Victoria
Kyra E. Hicks
Illustrated by Lee Edward Födi
   In this unique, true story, Martha Ann Erskine, born a slave on the Doherty Plantation in eastern Tennessee in about 1817, moves to Liberia in 1830 when her father, a minister, finally saves enough money to purchase the family's freedom. Martha Ann's greatest wish is to go to school, learn to read, and make her family proud. Not only do Martha Ann and her siblings get to attend school in Liberia, but at home, their mother teaches them to sew clothes and quilts. Tragedy strikes, however, when African Fever sweeps through town, killing Papa, Mama, Grandma, and Martha Ann's sisters. Wallace, her oldest brother, takes care of Martha Ann and her younger brother, Hopkins, until Martha Ann marries Sion Harris. As a result of observing British ships patrolling the coast to stop slave catchers from kidnapping more Africans, Martha Ann determines to pay Queen Victoria a visit 3,500 miles away to thank her for protecting the African people. She teaches school at the mission and later farms her own land to make a living. Despite civil strife and the death of Sion, and later her second husband, Henry, Martha Ann continues to save her money to visit the queen. When Mrs. Jane Roberts, the wife of Liberia's first president, pays a surprise visit to Martha Ann after hearing about the exquisite quilt she is making for Queen Victoria, Mrs. Roberts contacts the Liberian Ambassador in London to facilitate the visit. At the age of 76, Martha Ann finally gets her wish, meeting not only the Queen, but Prince Edward and his family as well. Kyra Hicks' text in this picture book outshines Födi's illustrations, which depict too little variation in the facial features of the characters and add little to the story. Despite this weakness, this is an important story for young readers to know, especially because it serves to illustrate that contemporary African American quilters like Faith Ringgold and Kyra Hicks herself benefit from a long tradition of black folk artists. 2007, Brown Books, $16.95. Ages 8 to 10. Reviewer: Michelle H. Martin, Ph.D. (Children's Literature).
ISBN: 978-1-93328-559-7
ISBN: 1-93328-559-1

Miss Crandall's School for Young Ladies and Little Misses of Color: Poems
Elizabeth Alexander and Marilyn Nelson
Illustrations by Floyd Cooper
   In 1833, Prudence Crandall opened her boarding school in Canterbury, Connecticut to "young ladies and little misses of color" because the white families refused to permit their daughters to be educated along with African Americans. The townspeople tried to close the school by passing restrictive laws. When that did not work, there were ever-increasing attacks upon the property. When it was no longer possible to protect the students, Prudence closed the school. Prudence and her new husband left Canterbury and eventually settled in Kansas. The story is told through a series of sonnets. The words are powerful as they celebrate the importance of education and hardships that the students endured to achieve it. The reader appreciates the courage of these women, facing the hostilities of the townsfolk. Floyd Cooper's illustrations capture the moods of the poems and help tell the story of persecution and adversity that eventually forced the school's closure. This book celebrates the women who risked everything to improve their lives. It can serve as an example for today's youth for appreciating the opportunities for education that they have today regardless of race. Recommended. 2007, Wordsong (Boyds Mills Press), 48pp., $17.95 hc. Ages 10 to 18. Reviewer: Charlotte Decker (Library Media Connection, November/December 2007).
ISBN: 978-1-59078-456-3
ISBN: 1-59078-456-1

Muhammad Ali
Michael Burgan
Illustrated by Brian Bascle
   Books written in graphic format are favorites of mine! It makes it perfect for students who are reluctant readers and never seem to finish a book on their own. It is also a wonderful way to introduce nonfiction books to young people. Young adults who want to read anything they can get their hands on will enjoy the graphics, exhilarating stories, and fast paced text. The full-color graphics make an enormous impact on the story. The author includes a box on most pages that includes narration that gives extra information to the reader to help with comprehension. Vocabulary has been well selected, and this book is an excellent resource that could be used for writing a summary, a book report, or as a source for research. The reader will learn how Ali began boxing when he had his bike stolen as a child and wanted to find the person to took it and beat him up. A wise police officer who taught boxing took Mohammad under his wing and taught him the fine art of boxing. From there, the reader will follow his career. They will also read about how Rope a Dope and the Ali Shuffle were moves Ali made in the ring. There are four chapters in just 27 pages, and all major facts are well covered. At the end of the book, the author includes two pages of more information. In addition, there is a Glossary, Read More Section, Internet Sites, Bibliography, and Index. I highly recommend this book for children who want to start their own personal libraries, for classroom and school libraries, and for enticing the reluctant reader. 2008, Capstone Press, Ages 9 to 13, $25.26. Reviewer: Kathie Josephs (Children's Literature).
ISBN: 978-1-4296-0153-5
ISBN: 1-4296-0153-1

Nobody Gonna Turn Me 'Round: Stories and Songs of the Civil Rights Movement
Doreen Rappaport
Illustrated by Shane W. Evans
   Kwanzaa brings a chance to reflect on the Seven Principles or, in Swahili, Nguzo Saba, of African culture that can help contribute to the building of family, community and culture. This title exemplifies the principles of unity and self-determination. In the face of loss and fear, African Americans fought steadfastly in the late 1950s and '60s for the rights accorded all Americans under the Constitution. By including lesser known figures with heroes such as Dr. Martin Luther King, Jr., and Rosa Parks, the author emphasizes the importance of everyone who participated. Powerful, indeed, were 8-year-old Sheyann Webb, marching in Selma, Alabama, and Fannie Lou Hamer, a sharecropper who lost home and job trying to register to vote and went on to work for the Student Nonviolent Coordinating Committee. Rappaport, who taught in a Mississippi freedom school in 1965, punctuates her text with the freedom songs that served as a rallying force, whether sung in jails, in churches or during protest marches. Illustrator Evans bears eloquent testimony to the struggle with images that range in mood from the grief of mourners at the open casket of murder victim Emmett Till to the determination of women organizing boycotts of segregated buses to the vibrant courage of marchers with upraised fists on the front cover. A compelling rendering of a turning point in American history. 2006, Candlewick, $19.99. Ages 6 up. Reviewer: Mary Quattlebaum (Children's Literature).
ISBN: 0-7636-1927-2
ISBN: 978-0-7636-1927-5

Nothing But Trouble: The Story of Althea Gibson
Sue Stauffacher
Illustrated by Greg Couch
   From the endpapers to the author's note, every word of this oversized picture book begs to be read, and read again. On the first page we learn that Althea Gibson "was the tallest, wildest tomboy in the history of Harlem." With the exception of the pictures of a defiant Althea being told how to act at the fancy Cosmopolitan Tennis Club where she was offered free lessons, the young girl's joy jumps out from every one of Couch's vibrant illustrations. Yellow tennis balls adorn the back of this book to cleverly mark milestones in the player's life, including the year she graduated from college and her major tennis victories. In the author's note, Stauffacher explains that Gibson's most insidious foe was racism. Called the "Jackie Robinson of tennis," her accomplishments were tremendous. At last, the life and journey of the first African American to compete for and win the Wimbledon Cup is celebrated in a book this accessible. Kudos to Sue Stauffacher for finding Althea Gibson's autobiography and writing so inspirationally for young readers. 2007, Alfred A. Knopf/Random House, $16.99. Ages 5 to 8. Reviewer: Augusta Scattergood (Children's Literature).
ISBN: 978-0-375-83408-0
ISBN: 978-0-375-93408-7
ISBN: 0-375-83408-7
ISBN: 0-375-93408-1

Onward: A Photobiography of African-American Polar Explorer Matthew Henson
Dolores Johnson
   Matthew Henson was strong willed and independent from the day he was orphaned as a child until he set foot on the North Pole in 1909. He once walked forty miles to Baltimore to become a sailor and would later walk days breaking trails through the Arctic ice. Henson first joined Commander Robert Peary on an expedition to Nicaragua before making four successive trips to the Arctic. Although he died in 1955, it was not until 1988 that he was interred next to Robert Peary at Arlington National Cemetery and 2001 when he was posthumously awarded the National Geographic Society's Hubbard Medal. Leila Savoy Andrade, a surviving descendant of Henson, was a security guard for the National Geographic Society when that medal was awarded to her great-great-great uncle. In her foreword to the book, she writes of the stories told about the family explorer. This biography is written almost like a gripping novel, holding the reader's attention as each new expedition confronts challenges, including being charged by a wounded musk ox and losing toes to frost bite. Well-placed photos, maps, and quotes add to the drama. Both Henson and Peary fathered children out of wedlock with Inuit Eskimo women and the final photo shows Henson's Inuit son visiting his father's gravesite on his first visit to the United States. The book includes a good timeline, bibliography, and index--an excellent introduction to a man of courage and adventure who is all too often forgotten. 2006, National Geographic Society, $17.95. Ages 8 to 16. Reviewer: Karen Leggett (Children's Literature).
ISBN: 0-7922-7915-8
ISBN: 0-7922-7914-X
ISBN: 978-0-7922-7915-0
ISBN: 978-0-7922-7914-3

People Could Fly: The Picture Book
Virginia Hamilton
Illustrations by Leo Dillon and Diane Dillon
CD narrated by Virginia Hamilton and James Earl Jones
   This folk tale first appeared in 1985 as part of The People Could Fly: American Black Folktales. Alone, the tale serves as a memorial to Virginia Hamilton, the celebrated author who died in 2002. This beautiful and moving fantasy tells of people who could fly. When they were captured as slaves, they could not take their wings. Toby and Sarah once had wings, but now labor in the fields. Sarah gets beaten for trying to quiet her baby. Toby whispers magic words, and Sarah and her baby begin to rise. Sadly, Toby cannot take all of the slaves with him, since he does not have enough time to teach them to fly. This edition has the beautiful and moving illustrations of award-winning artists Leo and Diane Dillon and a CD with James Earl Jones and Virginia Hamilton reading the story. The CD works marvelously with the book; alone, the music-less CD seems a bit plain. Middle and upper elementary classes can use this combination to add great dimension to African American history. The book's final illustration is a particularly moving tribute to Virginia Hamilton. 2007, Alfred A. Knopf, Ages 8 to 11, $17.99. Reviewer: Elizabeth Fronk (Children's Literature).
ISBN: 978-0-375-84553-6

Perfect Timing: How Isaac Murphy Became One of the World's Greatest Jockeys
Patsi B. Trollinger
Illustrations by Jerome Lagarrigue
   This book tells the story of Isaac Murphy, a famous African-American jockey who broke records, won races, and was widely regarded as the best jockey in the history of horseracing. The illustrations in this book, while muddy and at times indistinct, conveys the passion and speed of horseracing and is reminiscent of the era in which it is set. Murphy, the great jockey, is the highlight of every picture in his highly visible bright- yellow silk racing shirt. Horseracing is full of excitement and danger, but the book also speaks to the routine and practice necessary to become a famous jockey. Murphy's passion for racing drove him to great heights, but the corresponding crash dieting (jockeys aren't supposed to weigh more than 110 pounds) cost him his life. The book, highlighting the life and career of a jockey with perfect timing, would appeal to boys and girls alike with its tale of athleticism, dedication, sports, and history. 2006, Penguin, $15.99. Ages 7 up. Reviewer Meagan Albright (Children's Literature).
ISBN: 0-670-06083-6
ISBN: 978-0-670-06083-2

Pitching in for Eubie
Jerdine Nolen
Illustrated by E.B. Lewis
   Young Lily reports the excitement in her African American family when her sister Eubie receives a college scholarship. But $3,000 more will be needed for room and board. Her papa says that if everyone pitches in over the summer, they can raise the money, for "dreams are made to come true." Lily does all she can as her family members all work harder, but she doesn't think it's enough. No one buys her iced tea, or wants her to pet sit. But finally Mrs. Tolliver needs someone to look in on her mother while she is away. Lily speaks up, gets the job, and feels she is finally pitching in to make "dreams come true." Lewis has chosen parts of the narrative sure to generate emotion to illustrate in single and double-page naturalistic watercolors. Lily's body is limp, her face down, as she sits in her papa's lap feeling unable to earn money. She waits in vain for customers for her tea. But she raises her arms in glee as she offers to help Mrs. Tolliver out. Lewis adds details of time and place to make the reader feel present in this inspirational story. 2007, Amistad/HarperCollins Publishers, Ages 5 to 8, $16.99. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
ISBN: 0-688-14917-0
ISBN: 978-0-688-14917-8
ISBN: 0-06-056960-3
ISBN: 978-0-06-056960-0

Please, Baby, Please
Spike Lee and Tonya Lewis Lee
Illustrated by Kadir Nelson
   Illustrations rendered in oil enhance this fast paced, fun-filled book for toddlers. With soft, yet vivid colors and realistic baby expressions the illustrator increases the already lively text. Repeating rhyming patterns contain just enough variation to entertain the child listener as a grownup reads this book. Fun baby antics include dumping cereal on ones head, writing on the walls, not wanting to share, eating forbidden sand, throwing a fit, and the joy of discovering a ready-for-the-wind dandelion. These realistic everyday happenings are ones with which a toddler can relate. Parents will enjoy the clock preceding each simple piece of text since it depicts the progression of a day with baby. The large print text and size of the book are also a plus. The husband and wife authors have collaborated to offer a book that cries to be read again and again to a toddler. Add this board book to any preschool shelf or to the your home library in a house with young children. 2007, Simon & Schuster, Ages 2 to 5, $7.99. Reviewer: Nancy Garhan Attebury (Children's Literature).
ISBN: 978-1-4169-4911-4
ISBN: 1-4169-4911-9

The Poet Slave of Cuba: A Biography of Juan Francisco Manzano
Margarita Engle
Art by Sean Qualls
   The author tells us in an endnote that the story of Juan Manzano's (1797-1854) life had haunted her for many years before she realized that she would have to tell it in verse. This realization stuns the reader with the power of this unique poet's life. Written in spare, compelling verse, this book is a true gift to readers of poetry everywhere and a suitable tribute to the man who was called "The Poet Slave of Cuba." Juan Francisco Manzano was the son of a "pardo" (Negro) father and an African/Mulatto mother, but for most of his early life he was forced to live with the woman who owned them and to call her "mother." Because he had a brilliant mind and an acute sense of language he was able to memorize long passages he had heard in the presence of his mistress, who took pride in showing him off as an entertainment. After her death his life suffered great change. While he had been severely punished for even the smallest infractions as a young child, after his thirteenth year he became the victim of unimaginable torture at the hands of his owner. Manzano's story is heartrending; but, the power of his poetry gives us hope now as it did to those in the past who would gather to hear him read his verses aloud. He was able to pour all of his emotions into poetry that reached the hearts of many. Of course, he was censored by the government and even jailed for the possibilities his words might have influenced suspected slave uprisings (which did not occur). The author has brilliantly captured Manzano's voice and spirit in her own poems as she tells us the story of this amazing person. The author uses the voice of Manzano and various people from his world to tell us about the first half of a life that was, indeed, extraordinary. The haunting charcoal illustrations convey the plight of the slaves who endured lives of great misery. The back matter includes references, acknowledgements, historical notes, and some of Manzano's actual poetry. 2006, Henry Holt, $16.95. Ages 10 up. Reviewer: Sheilah Egan (Children's Literature).
ISBN: 0-8050-7706-5
ISBN: 978-0-8050-7706-3

Race: A History Beyond Black and White
Marc Aronson
   The book traces the idea of race from the ancient world up to modern times. The premise being that race as we know it today is a recent development. Starting with the idea that prejudice is in the mind; coming from the days when survival depended on making an instantaneous decision on if another human were friend or foe, the book states that in ancient times people were judged more on where they came from geographically and their economic and social status vs. their race. A few chapters focus on religion and how the thought of being chosen or holy came to affect our view of another other. The middle chapters are devoted to the role that science has played in development of race; needs of classifying items based on certain characteristics giving rise to the idea of race, but even then, race was not so clearly defined. Seven chapters after this are spent discussing views of race during different time periods. These chapters cover such subjects as Irish and Italians not being considered white, Jews and Catholics "whiteness" being once debated by Congress, Jews considered to be their own race of people and the treatment of blacks during the latter part of the 19th and the first half of the 20th century. The last few chapters are devoted to ideas on race in the modern world covering topics such as the spectrum within our classifications of white, black, Asian and Indian that may give no meaning to race and the idea that a person can "act white/black". This is an excellent springboard book to use in a social studies or ethics class. Its focus on the developing history and perception of races and prejudice make it more thought provoking than material that focuses only on race as we think of it today. Unfortunately, the subject matter of race in modern times is only briefly touched upon and discussed. The book moves very quickly though history of the conflict between white and black of this century and in the last chapter is filled with more opinion from the author and less fact than in previous chapters. In the final chapter there is hardly and mention at all of Latin peoples. This gives it less relevancy in discussions and debates about race today, but the book is an excellent tool to stimulate discussion about race in the past and its evolution in the future. 2007, Atheneum Books for Young Readers/Simon & Schuster Children's Publishing Division, Ages 12 up, $18.99. Reviewer: Patrick Hunter (Children's Literature).
ISBN: 978-0-689-86554-1

Robert Smalls Sails to Freedom
Susan Taylor Brown
Illustrations by Felicia Marshall
   Newly competent readers are likely to thrill to this well told story of the Civil War hero, Robert Smalls. With his family aboard, Smalls and his fellow slave crew members commandeered a southern supply ship and sailed it out of Charlestown harbor into the Union waters. While the sentence structure is kept fairly simple, some of the vocabulary may be challenging, simply because it refers to objects and activities from long ago (carriage, lamplighter, cannon, Confederates). However, Brown's telling is vivid and the illustrations will help with context clues. An "Afterword," written at a higher reading level, gives more information about Smalls, including the fact that he eventually became a member of the U.S. Congress. The book also includes a bibliography of sources, including primary sources such as Smalls' letters. Marshall's somewhat sepia toned paintings are fairly realistic and reinforce the sense that this is a genuine informational work, not just a "little kids' book." It could be a valuable addition to a reading tutor's collection as well as an excellent selection for a classroom; the library binding price is a little high for private collections but like other books in this series, it is likely to be issued as a paperback. Part of the "On My Own History" series. 2006, Millbrook Press/Lerner, $23.95. Ages 6 to 8. Reviewer: Mary Hynes-Berry (Children's Literature).
ISBN: 978-1-5750-5872-6
ISBN: 1-5750-5872-3

Satchel Paige: Striking Out Jim Crow
James Sturm and Rich Tommaso
Introduction by Gerald Early
   It is 1929 and Emmet is full of hope and sure of his baseball abilities as he leaves his young wife and infant son to play against the great Satchel Paige and begin a career as a professional ball player. He gets a hit and scores a run but injures his knee. He remembers Paige staring down at him and saying, "Here you go, boy, a souvenir of your playin' days," as he hands him the baseball which becomes an important part of this story. Emmet has no choice but to return home and work as a sharecropper. This novel covers the years from 1929 to 1944. The reader sees, reads, and feels the injustices and threats that plagued African Americans in the segregated South. This story is told simultaneously with the growing popularity of the great pitcher, Satchel Paige. The strong visuals give a good depiction of life in the early twentieth century. The variety of angles and perspectives create excitement in the baseball sequences. There is one use of the "N" word when an angry white man shouts at Satchel Paige. The back matter presents information and discussion points. This graphic novel would make a good starting place for researching and learning about twentieth century U. S. history. 2007, Jump at the Sun/Hyperion Books for Children, Ages 12 and up, $16.99. Reviewer: Sharon Salluzzo
ISBN: 978-0-7868-3900-1
ISBN: 0-7868-3900-7
ISBN: 978-0-7868-3901-8
ISBN: 0-7868-3901-5

The Slave Trade and the Middle Passage
S. Pearl Sharp with Virginia Schomp
   Perhaps no aspect of American history is quite so ghastly as that of the longstanding slave trade that encompassed several centuries. Starting in the 17th century and continuing on into the 19th, the Middle Passage, as the slave trade across the Atlantic came to be called, was a chronicle of horror, abuse, and degradation equal to virtually any acts of cruelty in any nation's history. Of course, it was not simply American seamen and merchants who profited from this enterprise but rather those of many nations. In this second title in the illustrated "Drama of African-American History" series, readers encounter all the basic elements of slave trading that caused the deaths and bondage of untold millions of human beings. In this book youngsters will learn about the profit-making mechanisms that fueled the trade in African captives. The terrors attendant to the jam-packed and barbaric conditions inflicted upon slaves en route to North and South America are all presented in grim yet accurate detail. In telling this sad tale the authors do an outstanding job of describing the conditions slaves were forced to endure, both on ship and then in bondage. This is a carefully written and moving story and one that is well told in this carefully researched book. 2007, Marshall Cavendish, $23.95. Ages 12 up. Reviewer: Greg M. Romaneck (Children's Literature).
ISBN: 978-0-7614-2176-4
ISBN: 0-7614-2176-9

Slavery and Resistance
Anne Devereaux Jordan with Virginia Schomp
   The nature of slavery in the antebellum South was for many years glossed over in historical work and popular fiction. Prior to the Civil War many southerners defended slavery by describing it as a sort of paternalistic system that protected ignorant African-Americans from their own inferiorities. Upon the publication of Harriett Beecher Stowe's Uncle Tom's Cabin and the rise of abolitionism attendant to the coming of the Civil War, an entirely different view of slavery emerged. Then, after the decline of Reconstruction, slavery once again was coated over with a patina of dignity via apologist historians and novelists such as Margaret Mitchell. In this title, a part of the "Drama of African-American History" series, readers are afforded a clearheaded look at both the nature of slavery in the United States and acts of resistance to it committed by the slaves themselves. In both areas the authors of this insightful work hit the mark. Their telling of keynote elements of a slave's life via many first hand accounts offers younger readers an excellent look back into the antebellum era. Then, in the closing sections of the book, the authors chronicle resistance factors, including work slow downs, feigned illness, escape, suicide, and armed uprisings. Taken as a whole, Slavery and Resistance is a fine rendering of a dark page in American history. In telling this story with accuracy and an eye for historical detail the authors of this book provide younger historians a fair glimpse into an institution that remains a stain upon America's history. 2007, Marshall Cavendish, $23.95. Ages 12 up. Reviewer: Greg M. Romaneck (Children's Literature).
ISBN: 978-0-7614-2178-8
ISBN: 0-7614-2178-5

Sojouner Truth: Preacher for Freedom and Equality
Suzanne Slade
Illustrations by Natascha Alex Blanks
   Sojourner Truth fought tirelessly for the rights of all people. Find out how a little girl named Isabella rose from slavery, changed her name, and made her voice heard across the United States. She was a brave woman who helped many people. She fought to free slaves. She worked hard to win equal rights for women. She used her powerful voice to give speeches that made people think. Given the name Isabella at birth, Sojourner later chose a new name that fit her better. The word sojourner means someone who travels. Sojourner traveled the United States and shared one truth that everyone should be free and have equal rights. The interesting illustrations take you from simplicity as in the clothes and dwellings to much elaboration in detail as life progresses with some of the good things. Theres beautiful design and color in the clothes and fabrics. The colors set the mood for the pictures. These things are good details and enhance the story that is told. 2008, Picture Window Books/A Coughlin Publishing Company, Ages 7 to 10, $23.93. Reviewer: Naomi Butler (Children's Literature).
ISBN: 978-1-4048-3726-3
ISBN: 1-4048-3726-4

A Taste of Colored Water
Matt Faulkner
   This complex tale is set in a small town in the rural South in 1960, the beginning of the active civil rights struggles. Two cousins named Jelly and Lulu are anxious to go into town and see the colored water their friend Abby has told them about. She said she saw a water fountain in town with a sign above it that read "Colored." Lulu and Jelly get their chance when Uncle Jack needs to go into town for a tractor part. When they get there, they witness a disturbance surrounding a civil rights march. Plenty of shouting and meanness is going on so Uncle Jack insists they stay in the truck, but they have other ideas. When they find the water fountain with the odd sign, they attempt to take a drink, but an angry policeman with a dog yells at them to get away from the fountain for coloreds. The whole scene is confusing and frightening to them, plus Uncle Jack is mad at them for leaving the truck. The issues are not resolved in the story, so teachers and parents who read this story to youngsters must be knowledgeable and prepared to explain this challenging time in American history. If you did not live through it, it is a difficult task. The drawings help place the reader within the milieu of the South that is both peaceful and frightening. 2008, Simon & Schuster/Books for Young Readers, Ages 6 to 8, $16.99. Reviewer: Meredith Kiger (Children's Literature).
ISBN: 978-1-4169-1629-1
ISBN: 1-4169-1629-6

This Is the Dream
Diane Z. Shore & Jessica Alexander
Illustrated by James Ransome
   From the very first glimpse of the striking end papers, the reader becomes aware that this is a special book on an oft discussed subject. Using a combination of collages of actual photographs from the era of the Civil Rights Movement, and paintings that convey visual images that complement and enhance the simple, but powerful text, Ransome has succeeded in turning this picture book into a succinct, compelling history lesson. The authors have used plain, straightforward language (in rhymed couplets) to relate the events of the experience of segregation and the burgeoning Civil Rights Movement. Even young readers will feel the impact of the power of this examination of an extremely emotionally charged time in our nation's history. The heroic grace of "an army without guns, but not without strength" (Martin Luther King, Jr., 1964) is shown with honest empathy. The faces in the photographic collages reveal much about the attitudes of the times. The peaceful protests look all the more powerful when juxtaposed against such ugliness. Some of the strongest leaders of the movement are given a place of honor featuring their portraits, but it is in the faces (and actions) of the "everyday" people that we see the courage and determination of those who dreamed of "freedom and justice for all." Children will be able to recognize the injustices of racial prejudice and the need for the changes that have slowly approached giving all of our citizens their rightful place in the nation. This is an important addition for any library. 2006, Harper Collins, $15.99. Ages 5 up. Reviewer: Sheilah Egan (Children's Literature).

   Rhymes lead to reason in Diane Shore and Jessica Alexander's title. During the first half of the book, verses explain segregation with couplets like: "These are the fountains that stand in the square and the black-and-white signs say who will drink where." The second half of the book uses the same rhyming schemes to depict agents of change who "rallied and answered the call...dreaming of freedom and justice for all." While the book can be used to introduce the past to younger children, James Ransome's illustrations encourage discussion by older students. His strong, bold oils bring out the starkness of situations and strength of those who fought for equality. His interspersed collages make similarly powerful statements, whether he is showing the faces of those who suffered, or blending faces of children to represent the change to equality. 2006, HarperCollins, $15.99. Ages 6 to 10. Reviewer: Susie Wilde (Children's Literature).
ISBN: 978-0-06-055519-1
ISBN: 978-0-06-055520-7
ISBN: 0-06-055519-X
ISBN: 0-06-055520-3

This Jazz Man
Karen Ehrhardt
Illustrated by R.G. Roth
   This introduction to nine jazz musicians uses the counting format of "This Old Man." Each is described on a double page in a brief verse which includes the sound he makes: the rhythm of "snap! snap! snazzy-snap!" or "tap-tap! shuffle-slap!" At the end of the counting to ten, the identity of each jazz man is revealed, along with a lengthy paragraph giving the basic facts of his life. Louis Armstrong, Bill Robinson, Luciano Pozo y Gonzalez, Duke Ellington, Charlie Parker, Art Blakey, Dizzy Gillespie, Fats Waller, and Charlie Mingus are among the players. Ehrhardt manages an appropriate description for each within the limits of the old song, ending "These jazz men make one great band!" Roth's mixed media collage images and visual sound effects translate the music each plays, along with their vividly patterned clothing and multicolored, roughly calligraphic words which interplay with the musicians' performances against the white pages. Even the varied borders will not hold still. The catchy rhythms and nonsense phrases beg us to sing along. 2006, Harcourt, $16.00. Ages 3 to 7. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).

   This lively story is a great read-aloud that can be sung to the tune of "This Old Man." The counting story goes through nine famous jazz musicians who make "one great band!" Because each verse is not adequate time to explain the various contributions to jazz music, the notes at the end of the picture book describe each musician, what he was famous for, and other interesting information (i.e. various nicknames). Although young readers will not want to read such detailed endnotes, adults will love the added tidbits. The illustrations were "done in mixed media collage and printmaking on watercolor paper," and add perfectly to the "Shuffle-step! Shim-Sham! Hop-step-sliiide!" feel of the book. These illustrations not only capture the personalities of the jazz age, but also have fun details that will cause readers to spend as much time absorbing the illustrations as they will spend bouncing along with the text. This book will have readers bopping and begging for more. It is sure to become a new story time favorite. 2006, Harcourt, $16.00. Ages 3 to 8. Reviewer: Joella Peterson (Children's Literature).
ISBN: 0-15-205307-7
ISBN: 978-0-15-205307-9

Twelve Rounds to Glory: the Story of Muhammad Ali
Charles R. Smith Jr.
Illustrations by Bryan Collier
   Lyrical verse with the cadence of rap weaves and bops its way through the life of Muhammad Ali. In twelve glorious rounds his life is measured, from his humble beginnings as Cassius Clay, to his youthful introduction to boxing, through all his title bouts and the triumphant moment when with hands shaking from Parkinson's, Ali lifted his torch to the Olympic flame. The quintessential showman is presented here with all his bravado and stinging taunts at opponents Sonny Liston and Joe Frasier. But we are also shown a man deeply committed to his Islamic faith and one who firmly stands up for what he believes in his refusal to be a combatant in the Viet Nam war. In his celebration of the man who is a legend, the author does not shy away from writing about the two final years of Ali's career that saw back-to-back defeats, or discussing the disease that is now wracking the body of the "Prince of Pugilism." Handsome watercolors and collages are filled with energy and power and dramatically enhance this remarkable biography of a flawed man, but one still deserving to be called "the greatest." Facial expressions are strong and emotive while the athleticism of the boxer is revealed in every fight scene. Onomatopoeic words add punch and vigor. The dense verse may be intimidating at first but the persistent readers will be rewarded. Readers who have enjoyed Champion: The Story of Muhammad Ali by Jim Haskins (2002) may be ready for this. It has been named a Coretta Scott King Honor Book for 2008. 2007, Candlewick, Ages 10 up, $19.99. Reviewer: Beverley Fahey (Children's Literature).
ISBN: 978-07636-1692-2

When Harriet Met Sojourner
Catherine Clinton
Illustrated by Shane W. Evans
   Two strong, independent female ex-slaves, Harriet Tubman and Sojourner Truth, did meet once in 1864. From this fact in their lives of fighting for freedom, Clinton goes back to trace their histories to that point. Both went through hard years of slavery. Sojourner Truth, born Isabella Bomefree in New York State, finally walked away from her master and took her new name as a symbol of freedom. Tubman, born Araminta in Maryland, took her new name when she escaped to the north. Harriet worked at helping other escape, while Sojourner lectured, preaching for the freedom of both slaves and women. Clinton can only imagine the meeting. Evans reinforces the emotional strength of the text with boldly stylized portraits of the women as introduced on the jacket/cover, and mainly close-ups of people. There's a sculptural solidity to the figures, some in more symbolic, spiritual scenes such as that of Sojourner cradling an infant against a starry sky filled with birds. The text is "stitched" to the illustrations like the quilts in Harriet's history. A brief Epilogue follows the life of the two after their meeting. 2007, Katherine Tegen Books/HarperCollins Publishers, Ages 5 to 9, $16.99. Reviewers: Ken Marantz and Sylvia Marantz (Children's Literature).
ISBN: 0-06-050425-0
ISBN: 978-0-050425-0
ISBN: 0-06-050426-9
ISBN: 978-0-06-050426-7

Women of the Harlem Renaissance
Lisa Beringer McKissack
   This history profiles five notable black females, including writers Nella Larsen, Jessie Fauset, and Zora Neale Hurston; sculptor Augusta Savage; and blues singer Bessie Smith, who established an enduring artistic legacy in Harlem during the 1920s and 1930s. Although prior children's books have featured some of these women, this title presents information which might be new to many readers. Generalizations and undocumented quotations weaken the narrative. Errors include misspelling Zora Neale Hurston's birthplace, which should be Notasulga, a rural Alabama community located near Tuskegee, which influenced her early literary creations, particularly Jonah's Gourd Vine (1934). The narrative concludes with information describing aviatrix Bessie Coleman, whose connection with the Harlem Renaissance was minimal, considering the omission of such prominent Harlem Renaissance writers and artists as Margaret Walker, Helene Johnson, and Meta Warrick Fuller. Women listed as "Important People" might be unfamiliar to most readers, meriting further research and discussion. The compelling cover--featuring a folksy oil painting depicting two black women artists--was created by noted male artist William H. Johnson instead of highlighting a female painter's work. Supplement with Laban Carrick Hill's Harlem Stomp! A Cultural History of the Harlem Renaissance (2003) and Nikki Giovanni's Shimmy Shimmy Shimmy Like My Sister Kate: Looking at the Harlem Renaissance Through Poems (1996). Part of the "We the People" series. 2007, Compass Point Books, $25.26. Ages 9 to 11. Reviewer: Elizabeth D. Schafer (Children's Literature).
ISBN: 978-0-7565-2034-2
ISBN: 0-7565-2034-7

Yours for Justice, Ida B. Wells: The Daring Life of a Crusading Journalist
Philip Dray
Illustrated by Stephen Alcorn
   Ida B. Wells was strong, determined and outspoken and she came by it all naturally. Her father lost his job as a carpenter when he failed to vote as directed by his white boss in Holly Springs, Mississippi not long after the Civil War. By the time she was sixteen, Wells' parents had died of yellow fever; Wells raised six younger siblings and became a teacher. She fought Jim Crow laws that tried to hold her back at every step. She began to write about discrimination and injustice, first for a church publication then for a local newspaper and finally for a respected black newspaper called the New York Age, always signing her columns and letters "Yours for Justice, Ida B. Wells." It was while writing his award-winning At the Hands of Persons Unknown: The Lynching of Black America that Philip Dray knew he wanted to tell Wells' story, struggle by struggle, article by article - especially her fight against lynching. "The people must know before they can act, and there is no educator to compare with the press," Wells would write. The book provides excellent historical background for the stories of lynching and nooses that are even now back in the news. Although Yours for Justice is a large format picture book, the stylized, art deco illustrations by Stephen Alcorn should broaden its appeal to a wider age range. Readers who are reluctant or struggling will meet quite a role model in perseverance. The back pages include photos, resources, a timeline and additional background on Well's role in founding the National Association for the Advancement of Colored People (NAACP) and the history of lynching in America. 2008, Peachtree, Ages 8 to 12, $19.85. Reviewer: Karen Leggett (Children's Literature).
ISBN: 978-1-56145-417-4
ISBN: 1-56145-417-6

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